斯特拉达在斐迪南一世发起的项目中的作用

D. Jansen
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引用次数: 0

摘要

在前面,我试图勾勒出斯特拉达于1558年5月抵达维也纳时,帝国宫廷建筑和装饰领域的情况。他发现,他的新哈布斯堡赞助人对意大利古典风格的最新建筑和装饰产生了兴趣;然而,他们很难满足这种口味。正如我们所看到的,他们的一些建筑师和宫廷艺术家对阿尔卑斯山以南和欧洲其他地方的这一领域的情况有所了解,至少通过最近一些关于建筑和装饰设计的插图出版物。其中最重要的是塞里奥建筑专著的前五本书。这些书的第一卷于1537年出版,在16世纪的第五个十年里,所有五本书都以法语和佛兰德语版本反复重印但很少,如果有的话,在宫廷的建筑师有任何第一手的经验,这样的发展,其中一些人,如文盲本尼迪克特Kölbl,几乎无法从印刷材料中获利。鉴于缺乏充分了解这种新方式的大师,更不用说精通这种新方式了,一位既熟悉其理论方面又对其结果有第一手知识的艺术家和设计师的到来一定是非常受欢迎的。正如我们在第四章中所看到的,斯特拉达抵达维也纳后不久,就多次被要求与其他宫廷建筑师一起为当时正在执行或计划的几个项目提供建议。1560年1月,斯特拉达被正式任命为建筑师,他得到的薪水与其他活跃在宫廷的建筑师差不多。正如希尔达·利茨曼(Hilda Lietzmann)首先指出的那样,这使得他的任务不太可能局限于这种偶尔的建议。在接下来的文章中,我们将讨论斯特拉达参与的一些法庭项目。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Strada’s Role in Projects Initiated by Emperor Ferdinand i
In the foregoing I have attempted to sketch the situation in the field of architecture and decoration at the Imperial court at the time Strada arrived in Vienna, somewhere in May 1558. He found that his new Habsburg patrons had developed a taste for more up-to-date architecture and decoration in the classical, Italian manner; a taste that was, however, difficult for them to satisfy. As we have seen, some of their architects and court-artists had some inkling of what was going on in this field both south of the Alps and elsewhere in Europe, at least by means of some of the recent illustrated publications on architecture and ornamental design. The most important among these were the first five books of Serlio’s architectural treatise. The first volume of these had come out in 1537, and all five books were repeatedly reprinted in the fifth decade of the sixteenth century also in French and Flemish editions.1 But few, if any, of the architects at court had any first-hand experience of such developments, and some of them, such as the illiterate Benedikt Kölbl, would hardly have been able to profit even from the printed material. In view of this lack of masters sufficiently acquainted with, let alone wellversed in the new manner, the arrival of an artist and designer who was both thoroughly acquainted with its theoretical aspects and had first-hand knowledge of its results, must have been quite welcome. As we have seen in Chapter 4, very soon after his arrival in Vienna Strada was repeatedly asked to advise, with other court-architects, on several of the projects being executed or planned at that time. When in January 1560 Strada was formally appointed as an architect, the salary he was conceded was similar to that of the other architects active at court. As Hilda Lietzmann has first pointed out, this makes it very unlikely that his tasks remained limited to such occasional advice. In the following a number of projects at court will be discussed in which Strada was involved.
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