蒲松龄制作动物的微型故事来源

A. Starostina
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引用次数: 0

摘要

作者在《聊斋志译》中对原有策略的重构,意味着要确定文本在多大程度上反映了蒲松龄同时代的民族志和民俗学事实。本文通过对微型故事《造动物》的考察,对这种方法进行了尝试。研究人员认为,它的起源要么是唐朝故事《板桥第三夫人》(9世纪),要么是现在的鬼神信仰。分析了缩略语的一般结构及其词汇特征。在此基础上,并将文本与早期关于人变动物的作品进行比较,我们得出结论,这个故事的来源是作者在日常生活中获得的民族志信息,而“第三夫人”这个故事结合了几个普遍存在的民间传说母题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SOURCES OF PU SONGLING’S MINIATURE TALE MAKING ANIMALS
The reconstruction of the author’s original strategy in the collection Liao Zhai zhi yi (聊齋誌異) implies the ascertaining of the extent to which the text reflects the ethnographic and folklore facts contemporary for Pu Songling. The article offers an attempt of the approach based on the examination of a miniature tale called Making Animals (Zao chu, 造畜). Researchers see its origins either in the Tang story Third Lady of Banqiao Bridge (9th century) or in current demonological beliefs. An analysis of the general structure of the miniature and its lexical features has been conducted. On its basis, as well as on the basis of the comparison of the text with earlier works about the transformation of human beings into animals, we conclude that the sources of the tale were ethnographic information obtained by the author in everyday life, and the story Third Lady… combined with several widespread folklore motifs.
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