本土艺术的上演:全球化时代外岛马都拉Ketoprak Rukun Karya的跨国历史

J. Sayono, R. Ridhoi, L. Ayundasari, Muhammad Wahyu Prahardana
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引用次数: 1

摘要

传统表演艺术目前在城市地区缺乏兴趣,特别是在马杜拉的塞梅内普市。然而,长期以来,像Ketoprak Rukun Karya这样的传统艺术在马都拉外岛甚至爪哇更出名。本文旨在追踪Ketoprak Rukun Karya在马杜拉外岛和爪哇部分地区的跨国化。本研究采用了启发式(搜集资料)、批判、阐释(分析综合)、史学四个阶段的史学方法。本文运用跨国视角,并通过查阅档案、报纸、杂志、照片和视频等线下和线上资源,发现:自过去20年以来,Ketoprak Rukun Karya已经在苏梅内普市以外的地方展示了它的存在。城市现代化导致千禧一代对这一传统艺术缺乏关注。Ketoprak Rukun Karya经历跨国化到马杜拉外岛,甚至到爪哇。每一次演出都有一个特殊的使命,那就是文化教育。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Staging Local Art: Transnational History of Ketoprak Rukun Karya in Outer Island Madura in The Age of Globalization
Traditional performing arts are currently lack on interast in urban region, especially in Semenep City, Madura. However, for a long time, the traditional art like Ketoprak Rukun Karya more famous in outer islands of Madura and even in Java. This paper aims to trace the transnationalization of Ketoprak Rukun Karya in the outer islands of Madura and in parts of Java also. This research uses a historical method that have 4 stages, heuristic (collecting sources), criticism, interpretation (analysis and synthesis), and historiography. By using a transnational point of view and also perusing several offline and online sources, such as archives, newspapers, magazines, photos and videos, this paper find out that: since the last 2 decades, Ketoprak Rukun Karya has shown its existence outside Sumenep City. Urban modernization causes lack attention of millennial generation to this traditional art. Ketoprak Rukun Karya experiencing transnationalization to the outer islands of Madura, and even to Java. This ketoprak has a special mission in each of its performances, that is the cultural education.
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