{"title":"Ilija Čvorović:“一切都和它看起来的相反。”","authors":"Jasmina Ahmetagić","doi":"10.5937/zrufpl2014029a","DOIUrl":null,"url":null,"abstract":"We focus here on the paranoid disorder of the protagonist of Dušan Kovačević's drama Balkan's spy. Although all literary critiques mention hero's paranoia, regularly and by default, this feature hasn't been deeply considered anywhere. Paranoia is, however, not only hero's conspicuous and central characteristic, but also a phenomenon by virtue of our revealing the deep semantic layers of Kovačević's drama. We show here how much the paranoid phenomenon contributes to tragycomedy, which was the literary concept Kovačević had in mind while he was creating the play. Beneath the series of comical situations, which Ilija causes by his behavior and interpretations, there is a tragedy of small man in totalitarian system, the man who was a victim, but who transformed into an abuser. Perceiving the psychological literature of the paranoid disorder, we are proving how extraordinary deeply Kovačević conceived his hero and by means of him, he gave a powerful critique of Tito's Yougoslavia.","PeriodicalId":170934,"journal":{"name":"Zbornik radova Uciteljskog fakulteta Prizren-Leposavic","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ilija Čvorović: 'Everything is the opposite of what it looks like'\",\"authors\":\"Jasmina Ahmetagić\",\"doi\":\"10.5937/zrufpl2014029a\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"We focus here on the paranoid disorder of the protagonist of Dušan Kovačević's drama Balkan's spy. Although all literary critiques mention hero's paranoia, regularly and by default, this feature hasn't been deeply considered anywhere. Paranoia is, however, not only hero's conspicuous and central characteristic, but also a phenomenon by virtue of our revealing the deep semantic layers of Kovačević's drama. We show here how much the paranoid phenomenon contributes to tragycomedy, which was the literary concept Kovačević had in mind while he was creating the play. Beneath the series of comical situations, which Ilija causes by his behavior and interpretations, there is a tragedy of small man in totalitarian system, the man who was a victim, but who transformed into an abuser. Perceiving the psychological literature of the paranoid disorder, we are proving how extraordinary deeply Kovačević conceived his hero and by means of him, he gave a powerful critique of Tito's Yougoslavia.\",\"PeriodicalId\":170934,\"journal\":{\"name\":\"Zbornik radova Uciteljskog fakulteta Prizren-Leposavic\",\"volume\":\"37 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zbornik radova Uciteljskog fakulteta Prizren-Leposavic\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5937/zrufpl2014029a\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zbornik radova Uciteljskog fakulteta Prizren-Leposavic","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5937/zrufpl2014029a","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
我们在这里集中讨论Dušan kova evevic的戏剧《巴尔干的间谍》的主角的偏执症。尽管所有的文学评论都经常和默认地提到英雄的偏执,但这一特征在任何地方都没有得到深入的考虑。然而,偏执狂不仅是主人公突出的中心特征,而且是一种通过揭示科瓦耶维奇戏剧深层语义层次而产生的现象。我们在这里展示了偏执现象对悲剧喜剧的贡献,这是科瓦耶维奇在创作这部剧时想到的文学概念。在伊利亚的行为和解释所造成的一系列滑稽场面的背后,隐藏着一个极权体制下小人物的悲剧,一个从受害者变成施虐者的人。通过对妄想症的心理学文献的了解,我们可以证明科瓦伊耶维奇对他的主人公有多么深刻的理解,并通过他对铁托的《南斯拉夫》进行了有力的批判。
Ilija Čvorović: 'Everything is the opposite of what it looks like'
We focus here on the paranoid disorder of the protagonist of Dušan Kovačević's drama Balkan's spy. Although all literary critiques mention hero's paranoia, regularly and by default, this feature hasn't been deeply considered anywhere. Paranoia is, however, not only hero's conspicuous and central characteristic, but also a phenomenon by virtue of our revealing the deep semantic layers of Kovačević's drama. We show here how much the paranoid phenomenon contributes to tragycomedy, which was the literary concept Kovačević had in mind while he was creating the play. Beneath the series of comical situations, which Ilija causes by his behavior and interpretations, there is a tragedy of small man in totalitarian system, the man who was a victim, but who transformed into an abuser. Perceiving the psychological literature of the paranoid disorder, we are proving how extraordinary deeply Kovačević conceived his hero and by means of him, he gave a powerful critique of Tito's Yougoslavia.