城市,旅行,边界,文学身份

E. Guagnini
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引用次数: 0

摘要

马格里斯与他的家乡的里雅斯特有着深厚的关系,但他觉得有必要通过旅行与家乡保持距离。旅行是生活的隐喻;它是保护、创新和研究意愿之间的交织。这些问题出现在重要的叙事篇章中,比如《无路可走的程序》(2015),这是对城市历史的清晰和清醒的思考,受到强烈的道德指控的推动,以及《节奏曲线》(2019),这是对马格里斯虚构和批评作品的许多方面的深刻综合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Una città, il viaggio, le frontiere, un’identità letteraria
Magris had a deep relationship with his hometown Trieste, while feeling the need to distance himself from it through his travels. Travelling is a metaphor for life; it is a weave between the will for conservation and innovation, as well as research. These issues emerge in significant narrative pages such as Non luogo a procedere (2015), which is a lucid and disenchanted consideration of the history of the city, moved by a strong ethical charge, and Tempo curvo a Krems (2019), which is a profound synthesis of the many aspects of Magris’ fictional and critical work.
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