互动台湾手偶作为传统传承的寓教于乐工具

Chi-Wei Lee, Cheng-Tse Wu, Shu-Ting Wu, Kuo-Pei Kao
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引用次数: 0

摘要

台湾手木偶是一种珍贵的娱乐文化遗产,至今仍受到青少年、成人、学生、教师、爱好者和学者的欢迎。在历史上,手木偶一直是台湾寺庙节日中流行的娱乐项目,被用来祭祀神灵。许多人从小就从手工木偶中学习道德、当地语言和当地习俗。为了与从美国和日本引进的流行文化类型竞争,现代台湾木偶戏演员创造了新的和混合的形式,改编自幻想武术。手偶的文化印象是如此强烈,以至于政府选择它作为台湾的代表符号。甚至有一个专门的电视频道只播放手木偶表演(图1)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interactive Taiwanese hand-puppetry as an edutainment tool for traditional heritage
Taiwanese hand-puppetry is a precious and entertaining cultural heritage which is still well received nowadays by the young, adult, students, teachers, fans and scholars. Throughout its history, hand-puppetry has been a popular entertainment at Taiwanese temple festivals, performed as an offering to gods. From the hand-puppetry, many people learn moral lessons, local language and local custom in their childhood. To compete with popular culture genres imported from United States and Japan, modern Taiwanese puppeteers created new and hybrid forms adapted from fantasy martial arts. The cultural impression of hand-puppetry is so intensive that the government chose it as the representative symbol of Taiwan. There is even a dedicated television channel broadcasting hand-puppetry shows only (Figure 1).
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