雷诺兹和贺加斯的“借来的态度”

E. Wind
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引用次数: 20

摘要

太纯洁了,恶习说不出口。”事实上,它特有的感性基调正好落在这两者之间,可以同样适用于这两种情况。然而,不能说在任何情况下,音乐在新背景和旧背景下都同样合适。毫无疑问,在他被迫保持的速度下,巴赫有时会做出一些不适合每个细节的调整。例如,所有的评论家似乎都同意《赫拉克勒斯》中的音乐是这样伴奏的:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Borrowed Attitudes" in Reynolds and Hogarth
is too pure for the mouth of Vice.' In fact its particular tone of sensuousness falls just between the two, and can be applied equally well to both cases. It cannot, however, be maintained that in every case the music is equally appropriate in its new setting and in its old. There is no doubt that, working at the speed which he was forced to keep up, Bach sometimes made adaptations which do not fit in every detail. All critics seem, for instance, to agree that the music which in the Hercules accompanies the words :
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