Manikam Kalbu和Nusantara妇女:对区域女性专业知识和知识的调查

Nur Dayana Mohamed Ariffin
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引用次数: 0

摘要

在努沙塔拉现代化和制度化之前,妇女作为技术的守门人和使用者的角色是什么?他们是如何在马来世界及其周围形成特定知识的保管人?档案中没有足够的信息来充分回答这些问题,但在《Manikam Kalbu》中,费萨尔·特拉尼(Faisal Tehrani)的小说讲述了两个平行时期的马来裁缝——16世纪的马六甲苏丹国和20世纪的马来西亚——引发了女性角色对材料、工具、缝纫和工艺艺术的深刻掌握,她们被描绘成传统知识的守护者和各自手艺的守门人。在马来或印尼的史学中,这样的描述要么是扭曲的,要么是不存在的,因为许多历史叙事都是以男性为中心的,或者专注于女性作为妻子和母亲的政治参与或家庭角色。本研究旨在从费萨尔·德黑兰的虚构世界中发现历史现实的痕迹,以此填补历史文学的空白,并描绘出努桑塔拉妇女的批判性和经常缺失的画面,她们的专业知识,她们的知识以及传统和土著知识的连续性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Manikam Kalbu and Nusantara Women: An Inquiry into Regional Female Expertise and Knowledge
What was the role of women as gatekeepers and users of technology before its modernisation and institutionalisation in Nusantara? How were they custodians of specific knowledge formed in and around the Malay world? There is no adequate amount of information in the archives for these questions to be answered sufficiently, but in Manikam Kalbu, Faisal Tehrani’s novel about two Malay seamsters set in a parallel period—the Malaccan sultanate in the 16th century and Malaysia in the 20th century—elicits the profound mastery of the material, tools, and art of sewing and craftsmanship by female characters who were depicted as caretakers of traditional knowledge and gatekeepers of their respective craft. Such depictions are either skewed or non-existent in Malay or Indonesian historiography, as many historical narratives are male-centric or focused on the political participation or domestic roles of women as wives and mothers. This study aims to uncover traces of historical reality from Faisal Tehrani’s fictional world as a means to fill the gap in historical literature and paint a critical and often absent picture of women in Nusantara, their expertise, their knowledge and the continuities of traditional and indigenous knowledge.
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