{"title":"\"土耳其出生\"和\"联邦公民\"思考了jacob Arjounis的私人联络人Kemal Kayankaya的假简历","authors":"Sandro M. Moraldo","doi":"10.30687/annoc/2499-1562/2020/54/004","DOIUrl":null,"url":null,"abstract":"With his first crime novel Happy birthday, Turk! (1985) Jakob Arjouni established a private investigator with a migration background, but whose lifestyle does not differ from that of the indigenous population. The aim of my contribution is to use statements by Jakob Arjouni himself, as well as a collage of the biographical data on Kemal Kayankaya scattered throughout the five crime novels, to show that while the serial hero has developed a bicultural self-confidence, often stylized as a metaphor of his cultural hybridity, more importantly he takes a post-integrative perspective, resulting from his gradual assimilation into German culture and society which began in his childhood and was completed in the course of his adolescence.","PeriodicalId":371375,"journal":{"name":"54 | 2020","volume":"46 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"„Türke von Geburt“ und „Staatsbürger der Bundesrepublik“\\n Überlegungen zum irregulären Lebenslauf von Jakob Arjounis Privatermittler Kemal Kayankaya\",\"authors\":\"Sandro M. Moraldo\",\"doi\":\"10.30687/annoc/2499-1562/2020/54/004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"With his first crime novel Happy birthday, Turk! (1985) Jakob Arjouni established a private investigator with a migration background, but whose lifestyle does not differ from that of the indigenous population. The aim of my contribution is to use statements by Jakob Arjouni himself, as well as a collage of the biographical data on Kemal Kayankaya scattered throughout the five crime novels, to show that while the serial hero has developed a bicultural self-confidence, often stylized as a metaphor of his cultural hybridity, more importantly he takes a post-integrative perspective, resulting from his gradual assimilation into German culture and society which began in his childhood and was completed in the course of his adolescence.\",\"PeriodicalId\":371375,\"journal\":{\"name\":\"54 | 2020\",\"volume\":\"46 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"54 | 2020\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/annoc/2499-1562/2020/54/004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"54 | 2020","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/annoc/2499-1562/2020/54/004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
带着他的第一部犯罪小说生日快乐,土耳其人!(1985) Jakob Arjouni建立了一个具有移民背景的私家侦探,但他的生活方式与土著居民没有什么不同。我这篇文章的目的是利用Jakob Arjouni自己的陈述,以及在五部犯罪小说中分散的凯末尔·卡扬卡亚的传记资料的拼贴,来表明尽管这位连环英雄已经形成了一种双文化自信,通常被风格化为他的文化混杂的隐喻,但更重要的是,他采取了一种后整合的视角,这是由于他从童年开始逐渐融入德国文化和社会,并在青春期完成。
„Türke von Geburt“ und „Staatsbürger der Bundesrepublik“
Überlegungen zum irregulären Lebenslauf von Jakob Arjounis Privatermittler Kemal Kayankaya
With his first crime novel Happy birthday, Turk! (1985) Jakob Arjouni established a private investigator with a migration background, but whose lifestyle does not differ from that of the indigenous population. The aim of my contribution is to use statements by Jakob Arjouni himself, as well as a collage of the biographical data on Kemal Kayankaya scattered throughout the five crime novels, to show that while the serial hero has developed a bicultural self-confidence, often stylized as a metaphor of his cultural hybridity, more importantly he takes a post-integrative perspective, resulting from his gradual assimilation into German culture and society which began in his childhood and was completed in the course of his adolescence.