西方和东方现实主义在阿拉伯文学的发展中所占的地位和地位的差异

Raudhatul Jannah, Tatik Maryatut Tasnimah
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摘要

本研究旨在描述东西方现实主义的鼻祖以及东西方现实主义的差异。用定性的方法和文献资料的方法收集资料,描述东西方现实主义流派的鼻祖和东西方现实主义流派之间的差异,即图书馆研究。研究结果表明:第一,西方现实主义的代表人物是福楼拜、莫泊桑。第二,东方的现实主义人物是Mahmud Taymūr, Taufiq El-Hakim和Najib Mahfudz。第三,西方将这种流动的概念应用于各种类型的艺术作品,如绘画、雕塑、美术、戏剧、小说和短篇小说。而东方的现实主义概念只把这种现实主义流应用于小说、短篇小说、戏剧和诗歌等形式的文学作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tokoh dan Perbedaan Aliran Realisme Barat dan Timur Dalam perkembangan Kesusastraan Arab
This study aims to describe the originators of western and eastern realism and the differences between western and eastern realism. The method used to describe the originators of the western and eastern realism schools and the differences between the western and eastern realism schools by using qualitative methods and collecting data using documentation techniques, namely library research. The results of this study are: First, the figures of Western realism are Gustave Flaubert, Guy De Maupassant. Second, realism figures in the East are Mahmud Taymūr, Taufiq El-Hakim, and Najib Mahfudz. Third, the West applies the concept of this flow to various genres of works of art such as painting, sculpture, fine arts, theater, novels and short stories. While the concept of realism in the East only applies this flow of realism to literary works in the form of novels, short stories, dramas and poetry.
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