新古典主义艺术家雅克·路易斯·大卫作品中的主人公

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摘要

本文以雅克·路易斯·大卫作为西方艺术史上法国绘画和新古典主义的重要代表人物之一,对其作品中的英雄主义现象进行考察。新古典主义理解的基础在18世纪中叶之前就开始奠定了,而这种反应的原因是在此之前的巴洛克和洛可可风格的过度装饰和人工。在新古典主义出现的一个世纪里,各个领域的重要发展为新古典主义奠定了基础,特别是考古地区出土的古城对艺术家的影响形成了这种风格的支柱。通过这种方式,古代的艺术品质得以突出。古希腊和古罗马的作品以一种更新的世界观和一种新的审美认识的形式存在着。它的影响在许多艺术分支中都可以看到,包括绘画领域。通过赞美古代创造的高贵的简单和安静的辉煌,纯粹和清晰的作品,技术上与光的影响隔离,其中线性出现在前面,产生了。大卫是这种以秩序和限制为规则的风格中最突出的艺术家,他的作品中选择了理性、道德和高尚精神的端庄例子。在艺术家的作品中,象征性的图像作为元素,有助于表达的语义维度。雅克·路易斯·大卫是法国大革命的官方艺术家,作为启蒙时代的延伸,他的立场稳定,新古典主义的爱国主义、自我牺牲和英雄主义理想与罗马人的身份结合在一起,以一种原始的、更新的美学形式形成了美德和亲共和自由的观念。英雄故事的转移是这一运动的一个重要特征,在大卫的手中已经达到了高度的成熟。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE HERO IN THE WORKS OF THE NEOCLASSICISTARTIST JACQUES LOUIS DAVID
In this study, the phenomenon of heroism seen in the works of Jacques Louis David, one of the important representatives of French painting and Neoclassicism in the history of Western art, has been examined. The foundations of the neoclassical understanding began to be laid before the middle of the eighteenth century, and the reason for the reactivity was the excessive ornamentation and artificiality of the Baroque and Rococo before it. In the century it emerged, important developments in various fields laid the groundwork for Neoclassicism, and especially the effects of ancient cities unearthed in the archaeological area on artists formed the mainstay of the style. In this way, the artistic qualities of antiquity were brought to the fore. Ancient Greek and Roman works have shown their existence as a version of the updated worldview and a new aesthetic understanding. Its effects are seen in many branches of art, including the field of painting. By praising the noble simplicity and quiet splendor created by antiquity, pure and clear works, technically isolated from the effects of light, in which linearity comes to the fore, were produced. In the works of David, who is the most prominent artist of this style, which adopts order and limitations as its rules, dignified examples of a rational, moral and noble spirit are selected. In the artist's productions, symbolic images have served as elements that contribute to the semantic dimension of the expression. With the stable stance of Jacques Louis David, who was the official artist of the French Revolution as an extension of the Age of Enlightenment, the patriotism, self-sacrifice, and heroism ideals of the new classicism were articulated with the identity of the Romans formed with the ideas of virtue and pro-republic freedom in an original and updated aestheticized form. The transfer of heroic stories, which is an important feature of the movement, has taken its place in David's hands at a high level of maturity.
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