独自在家

P. Delany
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引用次数: 0

摘要

有些人可能会认为,COVID-19大流行变化不大,因为小说家一直在家工作,他们发现隔离对他们的创作过程是必要的。但事实上,生产地点是有范围的。即使在一个小说家的孤独研究中,她的任务也是从她过去的社会经验中构建一个叙事。大流行病导致这种面对面活动急剧减少。在亚马逊上可以追踪到疫情期间小说消费的变化,包括从纸质书到Kindle的转变,以及小说类型的变化。Kindle市场份额增长最快的是儿童图书。出版后的活动变得越来越重要,因为一本书的推广现在是其生产的一部分。在Kindle上兴起的自助出版绕过了传统的守门人。有了KDP,现在几乎每个人都可以拥有自己的出版社,出版业的重心也从伦敦和纽约转移到了西雅图。后启示录小说设想了自然灾害之后的生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Home Alone
Some might think that the COVID-19 pandemic changes little, because novelists have always worked from home and found isolation to be necessary for their creative process. But in fact, there is a spectrum in sites of production. Even in a novelist's solitary study, her task is to construct a narrative out of her past social experience. The pandemic has caused a drastic reduction in such face-to-face activities. Changes in the consumption of fiction during the pandemic can be tracked on Amazon and include a shift from print to Kindle, and also shifts in genres. The biggest gain in share on Kindle has been in children's books. Post-publication activities have become steadily more important, as promotion of a book is now integral to its production. The rise of self-publishing on Kindle Direct Publishing bypasses traditional gatekeepers. With KDP almost everyone now can have their own press, and the centres of gravity of publishing have moved from London and New York to Seattle. Post-apocalyptic fiction envisions life in the wake of natural disasters.
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