印度主流印地语电影中艾滋病毒和艾滋病的再现与社会建构:规范性健康话语研究*

H. Ingle, Ravindra Kumar Vemula
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引用次数: 0

摘要

在印度这样的国家,电影在构建和塑造各种社会问题的公共领域方面发挥着重要作用,例如人类免疫缺陷病毒(HIV)和获得性免疫缺陷综合症(AIDS)。然而,涉及这个相关问题的电影并不多。只有少数几部电影将这一社会现实纳入其论述范围,并试图传递关于规范的性健康做法、对受艾滋病毒/艾滋病影响的人的社会排斥和处理艾滋病毒传播问题的信息。最终,当这些电影传达的信息是关于精英阶层家庭束缚的破碎时,这些电影也往往占据了较高的道德地位。然而,他们从来没有触及艾滋病毒和艾滋病的影响以及农村人口中的社会弃儿。因此,这些电影最终成为城市和农村人口的“布道”,根据它的说法,他们应该被“道德教导”。本文批判性地考察了三部印度主流电影中艾滋病毒/艾滋病的表现和社会建构,着眼于如何在城市人口中构建艾滋病毒/艾滋病主题;如何通过叙述来解决各种污名、误解和接受程度;规范性的性健康政治通过电影媒介受到挑战的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representation and Social Construction of HIV and AIDS in the Mainstream Hindi Cinema in India: A Study on the Discourses of Normative Sexual Health*
In a country like India, films play an important role in constructing and shaping the public sphere on various social issues such as Human Immunodeficiency Virus (HIV) and Acquired Immunodeficiency Syndrome (AIDS). However, not many films have dealt with this pertinent issue. Only few films have brought in this social reality within their discourse and have attempted to pass on the messages on normative sexual health practices, social ostracisation of HIV/AIDS affected persons and address the issues of transmission of HIV. Eventually, these films also tend take a high moral seat when the messages emanate about shattering of family bondages in the elite classes. Though, they never touch upon the impact of HIV and AIDS and social outcasts in the rural population. Thus, the films end up as ‘sermons’ for the urban as well as rural population, who according to it are to be ‘morally taught’ about. This paper critically examines the representation and social construction of HIV/AIDS in three Hindi mainstream films, looking at the aspect of how the HIV/AIDS subject is constructed amongst the urban populations; how the various stigmas, misconceptions and acceptance levels are addressed through the narratives; and the manner in which the politics of normative sexual health is challenged through the cinematic medium.
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