艾哈迈德·阿里《德里的黄昏》与埃德加·摩根·福斯特《印度之旅:女性主义视角》比较研究

Sardar Ali, A. Khan
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引用次数: 0

摘要

这项研究旨在对艾哈迈德·阿里的小说《德里的黄昏》和E.M.福斯特的《印度之旅》进行比较研究。本研究是基于女性主义的比较文本分析。重点是找出阿里和福斯特之间的异同。在这两部小说中,女性被剥削是主要问题。女人被描绘成无声无息、毫无人性的生物。它们被用作没有感觉或情感的物体。她们被认为是社会上男人的性工具。他们被描绘成在家庭的社会和政治事务中没有任何作用。调查显示,阿里和福斯特都把女性描绘得不如男性,但阿里比福斯特更严厉。阿里只拍摄穆斯林女性,而福斯特则拍摄穆斯林、印度教徒和英国女性。这是这项研究的主要焦点。采用比较女性主义的分析方法,为研究提供了一个新的维度,并对社会中的妇女问题进行了研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Comparative Study of Ahmad Ali’s Twilight in Delhi and Edgar Morgan Forster’s A Passage to India: A Feminist Perspective
The study was designed to do a comparative study of Ahmad Ali's novel Twilight in Delhi and E.M. Forster’s A Passage to India. The study is a comparative textual analysis in the light of Feminism. The focus was on finding similarities and differences between Ali and Forster. In both novels, women's exploitation is the main issue. Women are shown as voiceless and inhuman creatures.They are used as an object having no feeling or emotion. They are presented as the tool of sex for the men of society. They are portrayed as having no role in the social and political affairs of the family.The investigation has shown that both Ali and Forster have presented women as inferior to men but Ali is harsher as compared to Forster. Ali pictured only Muslim women while Forster portrayed Muslims, Hindus as well as British women. Which was the main focus of the study. The Comparative Feminist analysis was taken to give a new dimension to the study and carried out women's issues in society.
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