《十二个沉睡的少女》——朱可夫斯基在当代戏仿中的表现(p. p. protashinsky, a. a. voeikova, s. p. shevyrev)

S. Berezkina
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引用次数: 0

摘要

本文以普罗塔辛斯基、沃伊科娃、舍维列夫的作品为例,探讨了对《十二个沉睡的少女》(1811-1817)的戏仿反应。普罗塔辛斯基的戏仿《十二个沉睡的布托什尼克》(1832)非常受欢迎,沃伊科娃给茹科夫斯基的信中对它的认可使我们可以将其追溯到1819年。这篇文章描述了舍维列夫为A. N. Verstovsky的歌剧《十二个沉睡的少女觉醒》(1832)创作剧本的历史。在给M. P.波戈金的信中对剧本的讨论突出了舍维列夫对茹科夫斯基情节的演绎中的戏仿元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TWELVE SLEEPING MAIDENS BY V. A. ZHUKOVSKY IN CONTEMPORARY PARODY RESPONSES (I. V. PROTASHINSKY, A. A. VOEIKOVA, S. P. SHEVYREV)
The article deals with parody responses to the Twelve Sleeping Maidens (1811–1817) by V. A. Zhukovsky, using the texts by I. V. Protashinsky, A. A. Voeikova, S. P. Shevyrev as case studies. Protashinsky’s parody Twelve Sleeping Butoshniks (1832) was very popular, and an approving reference to it in Voeikova’s letter to Zhukovsky allows us to date it back to 1819. The article describes the history of Shevyrev’s writing of the libretto for A. N. Verstovsky’s opera Vadim, or the Twelve Sleeping Maidens Awakening (1832). The discussion of the libretto in the letters to M. P. Pogodin highlights parodic elements in Shevyrev’s rendition of Zhukovsky’s plot.
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