摄影与有机非人类:用光、叶绿素、酵母和细菌的摄影艺术

Jane Vuorinen
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引用次数: 0

摘要

最近,非人类与摄影相关的概念主要是通过技术理论化的,而在摄影中起作用的有机非人类主体和过程却很少受到关注。本文分析了三位当代芬兰艺术家的作品,他们将有机材料和工艺融入到摄影中,以重新协商摄影,生物艺术和科学之间的边界。这导致了对当代摄影艺术背景下技术和有机概念之间二分法的重新思考。将新唯物主义和后人文主义理论与摄影历史和理论相结合,可以形成一种多学科的方法,认识到工作中人类和非人类代理人和过程的价值。这些艺术品被分析为时间和过程,考虑到它们的表演品质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Photography and the Organic Nonhuman: Photographic Art with Light, Chlorophyll, Yeasts, and Bacteria
ABSTRACT The concept of nonhuman in relation to photography has recently been mostly theorized through technology, while organic nonhuman agents and processes at work in photography have received less attention. In this article, works by three contemporary Finnish artists who incorporate organic materials and processes into photography are analyzed to renegotiate the borders between photography, bioart, and science. This leads to a rethinking of the dichotomy between the concepts of technological and organic in the context of contemporary photographic art. Combining new materialist and posthumanist theories with photography history and theory allows for a multidisciplinary method that recognizes the worth of both human and nonhuman agents and processes at work. The artworks are analyzed as temporal and processual, taking into account their performative qualities.
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