Scott MacDonald
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引用次数: 0

摘要

艺术家兼科学家艾琳·埃斯佩利曾在康奈尔大学接受生物学培训,但为了探索纽约市的戏剧场景,她拒绝了在哈佛大学和麻省理工学院研究生阶段学习生物学的机会,之后她找到了独立的“前卫”电影制作方式,首先在一系列短片中探索她对生物学和科学史的兴趣,然后制作了非凡的论文电影《镧系元素系列》(2014)。它探讨了“稀土”(原子序数为57-71的元素)对现代通信和信息技术的重要性。《镧系元素》系列的图像几乎完全是在iPad的反射表面上拍摄的。作为一名动态图像艺术家,埃斯贝利将诗歌、科学、环境政治和现代数字技术结合在视频中,挑战传统知识范畴。她目前是《自然历史》杂志的主编,也是科罗拉多大学博尔德分校自然、环境、科学与技术艺术工作室的主任。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Erin Espelie
Artist/scientist Erin Espelie was trained at Cornell University as a biologist, but turned down opportunities to study biology at the graduate level at Harvard and MIT in order to explore the New York City theater scene, before finding her way into independent, “avant-garde” filmmaking, first exploring her interests in biology and the history of science in a series of short films, then producing the remarkable essay-film The Lanthanide Series (2014), which explores the importance of the “rare earths” (the elements with atomic numbers 57–71) for modern communication and informational technologies. The imagery for The Lanthanide Series was recorded, almost entirely, off the reflective surface of an iPad. In her work as a moving-image artist, Espelie combines poetry, science, environmental politics, and modern digital technologies within videos that defy traditional knowledge categories. She is currently editor in chief for Natural History magazine and a director of the NEST (Nature, Environment, Science & Technology) Studio for the Arts at the University of Colorado-Boulder.
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