《小公主》电影中的变形:改编分析

L. D. P. Wardani, Fina Rifqiyah, D. D. Kusumayanti
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引用次数: 0

摘要

《小公主》是弗朗西丝·霍奇森·伯内特创作的一部小说。这部小说曾多次被改编成电影,其中一部是阿方索·卡隆(1995年)的作品,由华纳兄弟影业出品。这部电影于1995年上映,同名《小公主》。本文主要探讨了从小说到电影的改编过程中的动机和思想。所发生的变化是使用从文本转换为屏幕场景的媒体的结果。本研究将比较小说和电影中所包含的内在元素。本研究还将探讨小说改编如何向电影的转变及其动机。Linda Hutcheon(2006)的改编理论被用来分析小说改编成电影的动机,并将以Roland Barthes(1957)的神话理论为支撑来寻找意识形态。巴特的符号学分析有助于作者发现改编作品中隐藏的意识形态,引导我们找到改造过程的动机。因此,阿方索·卡隆的改编作品显示了女性主义意识形态和美国价值观的存在。这种意识形态的存在是由于电影人从改编过程中获得利益的文化和政治动机。关键词:改编,意识形态,神话,动机。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TRANSFORMATIONS IN A LITTLE PRINCESS MOVIE: AN ADAPTATION ANALYSIS
A Little Princess is a novel written by Frances Hodgson Burnett (1905). This novel has been adapted several times into film, one of which is Alfonso Cuaron's (1995) work produced by Warner Bross Picture. This film was released in 1995 with the same title, "A Little Princess". This article focuses on the motives and ideologies of the adaptation process from novel to film. The changes that occur are a consequence of using media that change from text to screen scenes. This study will compare the intrinsic elements contained in novels and films. This research will also discuss how the transformation from novel adaptation to film and the motives. The adaptation theory by Linda Hutcheon (2006) was used to analyze the motives of adapting novels to films and will be supported by the theory of Mythology by Roland Barthes' (1957) to find ideology. Barthes' semiotic analysis helps the writer find the hidden ideology in the adaptation work, leading us to find the motive of the transformation process. As a result, the adaptation work of Alfonso Cuaron shows the existence of an ideology of feminism and American values. This ideology exists because of the cultural and political motives of the filmmaker to gain benefit from the process of adaptation. Keywords : adaptation, ideology, myth, motives.
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