悲剧

M. Lloyd
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引用次数: 0

摘要

赫拉克勒斯在索福克勒斯的《特拉奇尼亚》和欧里庇德斯的《赫拉克勒斯》中是中心人物,在欧里庇德斯的《阿尔塞提斯》和索福克勒斯的《菲罗克忒忒斯》中是次要人物。本章详细讨论了这些戏剧,同时总结了赫拉克勒斯在其他幸存的希腊悲剧中的参考资料,并讨论了他在遗失的戏剧中的角色。本文还简要讨论了塞内加的赫拉克勒斯·富伦斯和赫拉克勒斯·俄泰厄斯。迈克尔·西尔克(Michael Silk)认为赫拉克勒斯(Heracles)的反常(神-人)地位使他不适合出演悲剧,但这一观点存在争议。赫拉克勒斯的故事中最悲惨的两个时刻是他的疯狂和生命的终结。欧里庇德斯对他的职业生涯进行了全面的描述,直到他杀死了他的家人,而索福克勒斯则专注于奥查利亚的洗劫及其后果,这使他有机会描绘另一个强大但模棱两可的英雄,这些英雄在他所有幸存的戏剧中都很重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tragedy
Heracles is the central character in Sophocles’ Trachiniae and Euripides’ Heracles, and a secondary character in Euripides’ Alcestis and Sophocles’ Philoctetes. This chapter discusses these plays in detail, as well as summarizing references to Heracles in other surviving Greek tragedies and discussing what is known of his roles in lost plays. It also briefly discusses Seneca’s Hercules Furens and Hercules Oetaeus. It takes issue with Michael Silk’s argument that Heracles’ anomalous (god-man) status made him unsuitable for tragedy. The two great tragic moments in Heracles’ story were his madness and the end of his life. Euripides offers a comprehensive account of his career up to the killing of his family, while Sophocles’ focus on the sack of Oechalia and its consequences gave him the opportunity to portray another of the mighty but ambiguous heroes who feature in all his surviving plays.
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