走向建筑的关键地理:一个人造罗马斗兽场的案例

L. Lees
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引用次数: 210

摘要

本文认为,建筑地理学不应该只是表现。作为一种实践和产品,建筑在某种意义上都是表现性的,它涉及到持续的社会实践,通过这些实践,空间不断地被塑造和居住。我研究了从伯克利学派到政治符号学的以前的建筑地理学,并认为地理学家对建筑的实用和情感或“非代表性”的重要性几乎没有什么可说的。我以温哥华新公共图书馆大楼的争议为跳板,思考我们如何构想一个更具批判性和政治进步的建筑地理。图书馆的罗马斗兽场设计让人想起西方文明的起源,在一些温哥华人看来,这是一个太平洋多元文化城市的迟钝代表。我试图推动地理学家超越这种沉思的建筑形式框架,走向与生活建筑更积极、更具体的接触。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Towards A Critical Geography of Architecture: The Case of an Ersatz Colosseum
This paper argues that an architectural geography should be about more than just representation. For both as a practice and a product architecture is performative in the sense that it involves ongoing social practices through which space is continually shaped and inhabited. I examine previous geographies of architecture from the Berkeley School to political semiotics, and argue that geographers have had relatively little to say about the practical and affective or ‘nonrepresentational’ import of architecture. I use the controversy over Vancouver’s new Public Library building as a springboard for considering how we might conceive of a more critical and politically progressive geography of architecture. The library’s Colosseum design recalls the origins of western civilization, and is seen by some Vancouverites to be an insensitive representation of a multicultural city of the Pacific. I seek to push geographers beyond this contemplative framing of architectural form towards a more active and embodied engagement with the lived building.
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