后殖民冲突:Helon Habila的《水上石油》中的殖民和非殖民化暴力

Koubli Nouanwa
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引用次数: 0

摘要

本文旨在探讨尼日利亚的帝国主义石油进程所产生的后殖民冲突和民族主义运动的后殖民反应。尽管尼日利亚自1960年10月1日正式独立,但人们注意到,她的经济财富,如石油,仍然被欧洲超级大国控制和窃取。这些超级大国与当地政府合作,共同实施这种新殖民主义罪行。如果说,对于-à-vis这个新殖民主义阴谋,一些尼日利亚人仍然害怕军事镇压,而另一些人则有民族主义的勇气,使用同样的殖民暴力工具来对付他们的殖民折磨者,以实现真正的非殖民化。这就是后殖民时代的尼日利亚作家Helon Habila在《水上的石油》中所描绘的。在文中,作者描述了西方石油跨国公司在尼日利亚联邦政府的默许下开采尼日利亚石油的情况。这种新殖民主义剥削面临着游击队组织的非殖民化民族主义运动,这些运动的目的是使自己非殖民化并重新获得被劫持的石油红利。本文以后殖民主义理论为基础,假设土著居民必须诉诸民族主义暴力来挣脱帝国主义和殖民主义统治的枷锁。从文中的分析我们可以推断,在《水上石油》中,哈比拉描绘了新殖民者和民族主义者之间的后殖民冲突,并鼓励重新殖民的后独立人口继续他们的民族主义努力,直到获得真正的自由。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Postcolonial Conflict: Colonising and Decolonising Violence in Helon Habila's Oil on Water
: This paper aims at discussing the postcolonial conflicts engendered by the imperialist oil process of Nigeria and the postcolonial reaction of nationalist movements. Despite the official independence of Nigeria since October 1, 1960, it is however observed that her economic riches like oil are still controlled and thieved away by the superpowers of Europe. These superpowers work in tandem with the local government to operate this neo-colonial crime. If, vis-à-vis this neo-colonial conspiracy some Nigerians remain supine in fear of military repressions, others have the nationalist courage to use the same colonising instrument of violence against their colonial tormentors for true decolonisation to take shape. This is what postcolonial Nigerian writer Helon Habila depicts in Oil on Water. In the text, the author portrays the exploitation of the Nigerian oil by western oil multinationals in connivance with the Federal Nigerian government. This neo-colonial exploitation is faced with the decolonising nationalist movements organised in guerrillas in a view to decolonising themselves and repossessing their hijacked oil dividend. The paper predicates on the postcolonial theory to postulate that the natives are bound to make recourse to nationalist violence to wrench their lives free from the shackles of imperialist and colonialist dominationism. The analyses from the text permit us to infer that in Oil on Water, Habila depicts postcolonial conflicts between neo-colonisers and nationalists and encourages the re-colonised post-independent populations to keep their nationalist endeavour on till real freedom is obtained.
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