Daniela Marcu Istrate, Sebastian Dobrotă, Horațiu Groza
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The church starts to show up in documents in the early 14th century, when it belonged to the Order of Hermits of Saint Augustine and only much later on, during the 17th century, in the wake of the Reformation, it came into possession of the Reformed community of Turda Veche. The edifice underwent numerous modifications during its existence, so it does not survive in its original shape. Today it stands as a chancel-less hall-church – the choir was demolished in the Early Modern Age – with galleries on its eastern and western sides, Gothic portals on its northern and western sides and a massive southern tower, erected in a historicizing style in the early 20th century. Although it was the subject of a variety of art history studies, until recently the monument did not benefit from archaeological research to shed light on its tangible history. The first scientific archaeological excavations to touch the structure of the Reformed Church of Turda Veche were undertaken in 2010, when preliminary work for a church restoration project took place. In 2018, research was resumed and intermittently continued until 2020, as part of the project “ The Rehabilitation of the Reformed Church “ Turda Veche”, Turda Municipality, Cluj County”. During these years, excavations undertaken in ten archaeological research units, both inside and outside the monument, as well as observations carried out during utilitarian works, allowed researchers to begin reconstructing the structural development and decline of the Reformed Church of Turda Veche and of its site. The foremost result of the investigation was identifying an earlier stage of the church, respectively a ruined northern wall, the protruding foundation of a triumphal arch and areas of pavement surviving at too great a depth. Due to the limited extent of the excavations, neither the dimensions nor the shape of this earlier church could be determined. Nevertheless, several clues – such as a grave overlapped by the apse, irregularities noticeable in the aboveground structure of the nave, the foundation of a buttress abutting the foundation of the nave, etc. – hint that the changes the church underwent were on a far greater scale than the excavations were able to reveal so far and that it involved expansions both eastward and westward. The early 14th century probably marked the end of this structure, on whose ruins was erected the current-day church, at least 0.5 m wider in its northern area and likely much longer. The implemented ground plan presented the peculiarity that the nave and the choir were separated from the very beginning by a continuous wall, interrupted only by a single door with a simple stone frame. Later on, a gallery-type rood screen with a continuous wall on its western side, abutted to the northern and southern walls of the nave and similarly interrupted only by a single door, was assembled in the easternmost area of the nave. After surviving a first major fire, the rood screen was demolished after a second one, and the present-day western gallery eventually replaced it. Regarding the razed choir, the research proved unable to uncover chronological indicia able to date its disappearance ; based on documentary evidence, it was already in ruins in the 18th century. Its former inside area was reused for the construction of a bell-tower – which collapsed in 1862 – and on its northern wall rose a regular building – the Bell-Ringers House, which survived until the early 20th century. The ruins of both these structures could be partially investigated in 2020. A surprise was the appearance, south-west of the church, during utilitarian works, of several ruined masonry structures. Although it is likely that they belong to monastery buildings, some of them may be Roman in origin. One of the walls was still standing in the 18th century, but not the others, three of which shaped a compartment in which a roof made of Roman tiles collapsed, and which was succeeded southwards by a cobbled alley ( ?). Excluding the pieces dating from recent times (18th– 20th century), the uncovered material was scarce, limited to several coins, some sherds and a few clothing accessories. Conversely, a large quantity of fragmentary architectonical elements was brought to light, some of them from the choir, others from the rood screen while others from structures that cannot yet be identified. The amount of Roman construction materials, often bearing stamps, salvaged and reused in mass for the structures of the medieval church was also impressive. In any case, the presence of several disturbed coins in the backfill of the graves from inside the church is worthy of notice, especially that of a Parvus issued by Charles Robert d’Anjou sometime between 1330 and 1336, a period that matches surprisingly well with the first documentary mention of the monastery – the year 1331. Although still only at its beginning, the archaeological investigation carried out at the Reformed Church of Turda Veche confirmed the richness of dormant historical data harboured by the subsoil of the site. Continued research – due to happen at some uncertain point of the future – will certainly shed more light on this monument of so great significance for the architectonical past of Transylvania.","PeriodicalId":285703,"journal":{"name":"Materiale şi cercetãri arheologice (Serie nouã)","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Materiale şi cercetãri arheologice (Serie nouã)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3406/mcarh.2021.2157","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

图尔达是特兰西瓦尼亚最重要的定居点之一,也是同名中世纪县的所在地,自11世纪以来就出现在文献中。除了商会大厦,城市中心地区的历史世俗建筑都消失了。尽管如此,它的一部分教会建筑幸存了下来,主要是图尔达维奇的改革宗教堂,位于中央广场的南端和小龙虾山谷的左岸之间,尽管随着时间的推移,它受到了影响,但它至今仍然是特兰西瓦尼亚中世纪教会建筑最具代表性的纪念碑之一。这座教堂在14世纪早期开始出现在文献中,当时它属于圣奥古斯丁隐士会,直到17世纪,在宗教改革之后,它才被改革宗的图尔达·维切(Turda Veche)社区所拥有。这座大厦在其存在期间经历了多次修改,因此它不能以其原始形状保存下来。今天,它是一个没有圣坛的大厅教堂,唱诗班在现代早期被拆除,东、西两侧有画廊,北、西两侧有哥特式的大门,还有一座巨大的南塔,建于20世纪初,具有历史意义。虽然它是各种艺术史研究的主题,但直到最近,这座纪念碑还没有从考古研究中受益,以阐明其有形的历史。2010年,首次对Turda Veche归正教堂的结构进行了科学考古发掘,当时正在进行教堂修复项目的初步工作。2018年,研究恢复并断断续续地持续到2020年,作为“克卢日县图尔达市改革宗教会“图尔达维奇”修复项目的一部分。在这些年中,十个考古研究单位在纪念碑内外进行了挖掘,以及在实用工作期间进行的观察,使研究人员能够开始重建图尔达维切改革宗教会及其遗址的结构发展和衰落。调查的主要结果是确定了教堂的早期阶段,分别是毁坏的北墙,凯旋门突出的基础和深度太深的人行道。由于挖掘的范围有限,无法确定这座早期教堂的尺寸和形状。尽管如此,一些线索——比如后殿重叠的坟墓、中殿地上结构明显的不规则、中殿地基旁的扶壁地基等——暗示着教堂经历的变化远比迄今为止挖掘所能揭示的要大得多,它包括向东和向西的扩张。14世纪早期可能标志着这座建筑的终结,在它的废墟上建起了今天的教堂,它的北部地区至少宽0.5米,可能更长。实施的平面图呈现出中殿和唱诗班的独特性,从一开始就被一堵连续的墙隔开,只有一扇简单的石框门打断。后来,在中殿的最东端组装了一个画廊式的路屏,其西侧有一堵连续的墙,与中殿的南北墙相邻,同样只被一扇门打断。在第一次大火中幸存下来后,路屏在第二次大火后被拆除,今天的西部画廊最终取代了它。关于被夷为平地的合唱团,研究证明无法发现能够确定其消失日期的年代指标;根据文献证据,它在18世纪已经成为废墟。它原来的内部区域被重新用于建造一座钟楼——这座钟楼于1862年倒塌——在它的北墙上矗立着一座普通的建筑——响铃楼,一直保存到20世纪初。这两座建筑的废墟可能会在2020年进行部分调查。在实用工程中,教堂的西南方出现了几座残破的砖石建筑,这使人吃惊。虽然它们很可能属于修道院建筑,但其中一些可能起源于罗马。其中一堵墙在18世纪仍然屹立不倒,但其他的墙已不复存在,其中三堵墙形成了一个隔间,其中罗马瓦片制成的屋顶坍塌了,向南是一条鹅卵石铺成的小巷。除了近代(18 - 20世纪)的碎片外,未发现的材料很少,仅限于几枚硬币,一些碎片和一些服装配件。 图尔达是特兰西瓦尼亚最重要的定居点之一,也是同名中世纪县的所在地,自11世纪以来就出现在文献中。除了商会大厦,城市中心地区的历史世俗建筑都消失了。尽管如此,它的一部分教会建筑幸存了下来,主要是图尔达维奇的改革宗教堂,位于中央广场的南端和小龙虾山谷的左岸之间,尽管随着时间的推移,它受到了影响,但它至今仍然是特兰西瓦尼亚中世纪教会建筑最具代表性的纪念碑之一。这座教堂在14世纪早期开始出现在文献中,当时它属于圣奥古斯丁隐士会,直到17世纪,在宗教改革之后,它才被改革宗的图尔达·维切(Turda Veche)社区所拥有。这座大厦在其存在期间经历了多次修改,因此它不能以其原始形状保存下来。今天,它是一个没有圣坛的大厅教堂,唱诗班在现代早期被拆除,东、西两侧有画廊,北、西两侧有哥特式的大门,还有一座巨大的南塔,建于20世纪初,具有历史意义。虽然它是各种艺术史研究的主题,但直到最近,这座纪念碑还没有从考古研究中受益,以阐明其有形的历史。2010年,首次对Turda Veche归正教堂的结构进行了科学考古发掘,当时正在进行教堂修复项目的初步工作。2018年,研究恢复并断断续续地持续到2020年,作为“克卢日县图尔达市改革宗教会“图尔达维奇”修复项目的一部分。在这些年中,十个考古研究单位在纪念碑内外进行了挖掘,以及在实用工作期间进行的观察,使研究人员能够开始重建图尔达维切改革宗教会及其遗址的结构发展和衰落。调查的主要结果是确定了教堂的早期阶段,分别是毁坏的北墙,凯旋门突出的基础和深度太深的人行道。由于挖掘的范围有限,无法确定这座早期教堂的尺寸和形状。尽管如此,一些线索——比如后殿重叠的坟墓、中殿地上结构明显的不规则、中殿地基旁的扶壁地基等——暗示着教堂经历的变化远比迄今为止挖掘所能揭示的要大得多,它包括向东和向西的扩张。14世纪早期可能标志着这座建筑的终结,在它的废墟上建起了今天的教堂,它的北部地区至少宽0.5米,可能更长。实施的平面图呈现出中殿和唱诗班的独特性,从一开始就被一堵连续的墙隔开,只有一扇简单的石框门打断。后来,在中殿的最东端组装了一个画廊式的路屏,其西侧有一堵连续的墙,与中殿的南北墙相邻,同样只被一扇门打断。在第一次大火中幸存下来后,路屏在第二次大火后被拆除,今天的西部画廊最终取代了它。关于被夷为平地的合唱团,研究证明无法发现能够确定其消失日期的年代指标;根据文献证据,它在18世纪已经成为废墟。它原来的内部区域被重新用于建造一座钟楼——这座钟楼于1862年倒塌——在它的北墙上矗立着一座普通的建筑——响铃楼,一直保存到20世纪初。这两座建筑的废墟可能会在2020年进行部分调查。在实用工程中,教堂的西南方出现了几座残破的砖石建筑,这使人吃惊。虽然它们很可能属于修道院建筑,但其中一些可能起源于罗马。其中一堵墙在18世纪仍然屹立不倒,但其他的墙已不复存在,其中三堵墙形成了一个隔间,其中罗马瓦片制成的屋顶坍塌了,向南是一条鹅卵石铺成的小巷。除了近代(18 - 20世纪)的碎片外,未发现的材料很少,仅限于几枚硬币,一些碎片和一些服装配件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Biserica reformată din Turda Veche: cercetările arheologice din anii 2018–2020 / The Reformed Church of Turda Veche: the archaeological research between 2018 and 2020
Turda, one of the foremost settlements of Transylvania and the seat of the homonymous medieval county, appears in documents ever since the 11th century. Except for the Chamber House, the historical secular architecture of the city’s central area has disappeared. Nevertheless, part of its ecclesiastical architecture has survived, primarily the Reformed Church of Turda Veche, located between the southern end of the central square and the left bank of the Racilor (Crayfish) Valley, and which, despite the changes that have affected it over time, remains to this day one of the most representative monuments produced by Transylvania’s ecclesiastical medieval architecture. The church starts to show up in documents in the early 14th century, when it belonged to the Order of Hermits of Saint Augustine and only much later on, during the 17th century, in the wake of the Reformation, it came into possession of the Reformed community of Turda Veche. The edifice underwent numerous modifications during its existence, so it does not survive in its original shape. Today it stands as a chancel-less hall-church – the choir was demolished in the Early Modern Age – with galleries on its eastern and western sides, Gothic portals on its northern and western sides and a massive southern tower, erected in a historicizing style in the early 20th century. Although it was the subject of a variety of art history studies, until recently the monument did not benefit from archaeological research to shed light on its tangible history. The first scientific archaeological excavations to touch the structure of the Reformed Church of Turda Veche were undertaken in 2010, when preliminary work for a church restoration project took place. In 2018, research was resumed and intermittently continued until 2020, as part of the project “ The Rehabilitation of the Reformed Church “ Turda Veche”, Turda Municipality, Cluj County”. During these years, excavations undertaken in ten archaeological research units, both inside and outside the monument, as well as observations carried out during utilitarian works, allowed researchers to begin reconstructing the structural development and decline of the Reformed Church of Turda Veche and of its site. The foremost result of the investigation was identifying an earlier stage of the church, respectively a ruined northern wall, the protruding foundation of a triumphal arch and areas of pavement surviving at too great a depth. Due to the limited extent of the excavations, neither the dimensions nor the shape of this earlier church could be determined. Nevertheless, several clues – such as a grave overlapped by the apse, irregularities noticeable in the aboveground structure of the nave, the foundation of a buttress abutting the foundation of the nave, etc. – hint that the changes the church underwent were on a far greater scale than the excavations were able to reveal so far and that it involved expansions both eastward and westward. The early 14th century probably marked the end of this structure, on whose ruins was erected the current-day church, at least 0.5 m wider in its northern area and likely much longer. The implemented ground plan presented the peculiarity that the nave and the choir were separated from the very beginning by a continuous wall, interrupted only by a single door with a simple stone frame. Later on, a gallery-type rood screen with a continuous wall on its western side, abutted to the northern and southern walls of the nave and similarly interrupted only by a single door, was assembled in the easternmost area of the nave. After surviving a first major fire, the rood screen was demolished after a second one, and the present-day western gallery eventually replaced it. Regarding the razed choir, the research proved unable to uncover chronological indicia able to date its disappearance ; based on documentary evidence, it was already in ruins in the 18th century. Its former inside area was reused for the construction of a bell-tower – which collapsed in 1862 – and on its northern wall rose a regular building – the Bell-Ringers House, which survived until the early 20th century. The ruins of both these structures could be partially investigated in 2020. A surprise was the appearance, south-west of the church, during utilitarian works, of several ruined masonry structures. Although it is likely that they belong to monastery buildings, some of them may be Roman in origin. One of the walls was still standing in the 18th century, but not the others, three of which shaped a compartment in which a roof made of Roman tiles collapsed, and which was succeeded southwards by a cobbled alley ( ?). Excluding the pieces dating from recent times (18th– 20th century), the uncovered material was scarce, limited to several coins, some sherds and a few clothing accessories. Conversely, a large quantity of fragmentary architectonical elements was brought to light, some of them from the choir, others from the rood screen while others from structures that cannot yet be identified. The amount of Roman construction materials, often bearing stamps, salvaged and reused in mass for the structures of the medieval church was also impressive. In any case, the presence of several disturbed coins in the backfill of the graves from inside the church is worthy of notice, especially that of a Parvus issued by Charles Robert d’Anjou sometime between 1330 and 1336, a period that matches surprisingly well with the first documentary mention of the monastery – the year 1331. Although still only at its beginning, the archaeological investigation carried out at the Reformed Church of Turda Veche confirmed the richness of dormant historical data harboured by the subsoil of the site. Continued research – due to happen at some uncertain point of the future – will certainly shed more light on this monument of so great significance for the architectonical past of Transylvania.
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