贝帕扎里的织布机大师:伊斯梅尔·亚尼克

Aslıhan P. Turan, Nursel Baykasoğlu
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引用次数: 0

摘要

技术的快速发展导致了社会的文化异化,并对其艺术产生了影响。长期以来,传统手工艺一直处于退化的过程中。然而,在旅游胜地安卡拉的贝帕扎尔安省,一些织布机大师仍在延续着拥有900年历史的bürgü(丝巾)传统。İsmail Yanık就是这些大师之一。他在自己的工作室工作。Bürgü是贝帕扎尔村的传统妇女服装。妇女外出时戴着大头巾。这条围巾的大小可以遮住她的身体,并一直到膝盖。旧时的新娘围巾被用作桌布、床罩和各种家居饰品。研究结果表明,过去生产bürgü用的是棉线和丝线,而现在使用的是丝线和银线。本研究以丝绸bürgü大师İsmail Yanık从学徒到硕士的经历为基础,从材料、工具、制作过程、实例等方面进行研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A LOOM MASTER IN BEYPAZARI: ISMAIL YANIK
The fast advent of technology resulted in cultural alienation of society and had an impact on its arts. Traditional handicrafts have been in a process of degeneration for a long time. Nevertheless, a few loom masters carry on with the 900-year tradition of bürgü (silk scarf) in the touristic province Beypazarı, Ankara. İsmail Yanık is one of these masters. He works in his own workshop. Bürgü is a traditional women’s wear in the villages of Beypazarı. Women wear the large head scarf when they go out. The size of the scarf allows the user to cover her body, and reaches down to knees. Bride scarves of old times are used as table clothes, bedspreads, and various home accessories. The findings of the research showed that cotton and silk threads were used to produced bürgü in the past, however filoselle and silvery threads are used today. This research is based on the silk bürgü master İsmail Yanık’s experience from his apprenticeship to his master years, and focuses on materials, tools, production procedures, and examples.
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