Athanassios Vergados
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摘要

本章考察厄里斯(“冲突”)和泽洛斯(“竞争/嫉妒”),这两个“分裂”的抽象概念在《作品与日子》的开头以编程的方式呈现。它认为,一开始出现的好与坏之间的明确对立Ἔρις (ς)最终并非如此明确。对立的两个成员开始彼此相似,并确实形成了一个统一,就像赫拉克利特在48页的鞠躬一样,当允许不同的观点时。更重要的是,Ἔρις (ς)这个名字不足以让观众掌握这位女神的本质,但它的进一步限定是必要的,在这种情况下,通过形容词ς γαθή(善良的)和σχετλ末了η(邪恶的)。这一点,即名称(和一般的词语)不能完全表达它们所指定的实体或事物的本质的观点,使赫西奥德的《厄加》更接近赫拉克利特。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Begriffsspaltung I
This chapter examines Eris (‘Strife’) and Zelos (‘emulation/jealousy’), two ‘split’ abstract concepts presented programmatically at the opening of the Works and Days. It argues that what appears in the beginning as a clear-cut opposition between a good and a bad Ἔρις‎ turns out to be not so well-defined after all. The two members of the antithesis begin to resemble each other, and indeed form a unity, just like Heraclitus’ bow in fr. 48, when allowance is made for differing perspectives. What is more, the name Ἔρις‎ does not suffice in order for the audience to grasp the nature of this goddess, but its further qualification is necessary, in this case through the adjectives ἀγαθή‎ (‘good’) and σχετλίη‎ (‘evil’). This point, the idea that names (and words in general) are not fully capable of conveying the nature of the entity or thing they designate, brings Hesiod’s Erga closer to Heraclitus.
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