在北美待八个星期

M. Bailey
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引用次数: 0

摘要

1853年,罗伯特·斯蒂芬森(1803-1859)前往北美,主要是与蒙特利尔横跨圣劳伦斯河的维多利亚大桥的设计和建设规划有关,他是该大桥的咨询工程师。他在纽约的两个方向旅行,显然在回程时,他抽空参观了米德兄弟亨利和查尔斯的工作室,给自己拍了一张达盖尔式照相。这张照片似乎是私人所有,直到2017年被美国摄影博物馆的老板比尔·贝克尔(Bill Becker)收购。咨询了作者,确认这确实是斯蒂芬森的形象。这张照片现在已被多伦多的马克·安德鲁斯(议员)获得,他同意首次在《国际杂志》上发表这张照片。为了配合这张照片的出版,我们对斯蒂芬森在美国和加拿大度过的八周的背景故事进行了研究,为他的访问和这张照片奠定了背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Eight weeks in North America
In 1853, Robert Stephenson (1803–1859) travelled to North America, principally in connection with the design and construction planning of the Victoria Bridge across the River St. Lawrence at Montreal for which he was the Consulting Engineer. He travelled via New York in both directions, and apparently on his return journey, he took time off to visit the studios of the Meade brothers, Henry and Charles, to have a daguerreotype portrait taken of himself. The image was seemingly privately owned until it was acquired by Bill Becker, proprietor of the American Museum of Photography, in 2017. The author was consulted about the image and confirmed that it was indeed that of Stephenson. The image has now been acquired by Mark Andrews (Member) of Toronto, who has kindly agreed to its publication, for the first time, in the International Journal. To accompany its publication, the background story of the eight weeks Stephenson spent in the United States and Canada has been researched, to set the context for his visit and the photograph.
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