一个电子束缚的身体形式

Karthikeya S. Acharya
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引用次数: 1

摘要

本文通过一个艺术展览,将Electrome*作为一种人体与住所之间的交互设计理念呈现出来。作为一个概念,Electrome被视为一种假设的设计结构,用于询问住宅中的代理,其中住宅被认为既是家,也是一种身体存在体验。这一概念是在这样的背景下提出的:在家意味着与日常电子网络互动,这必然导致身体活动的数据输出进一步减少为信息。带着这样的关注,本文参考了先前由哈罗德·威尔海特在南印度进行的关于消费体的人类学研究。通过将Wilhite关于消费身体的观点与Electrome的身体定位为艺术展览,该作品作为设计实践的输出,首次与人类学进行了学科对话。然后通过建构性设计研究的框架提出这样的设计理念,并通过设计实践展示如何利用设计工件来引入理论概念。因此,本文展示了设计实践作为解释,理论建设和跨学科对话的桥梁。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Electrome bound Body Form
This paper presents Electrome* as an interactional design concept between the human body and its dwelling through an art exhibit. As a concept Electrome is treated as a hypothetical design construct for interrogating about agency in dwelling, where dwelling is considered to be both, the home and also the being within as a bodily existential experience. This concept is presented in a context where being home means to interact with everyday electro-networks that invariably results in the output of data from bodily practices further reducing as information. With such a concern this article refers to prior anthropological research by Harold Wilhite carried out in South India on the consuming body. By positioning Wilhite's perspective on the consuming body with the body of the Electrome as an art exhibit, this work as an output of design practice firstly engages in a disciplinary dialogue with anthropology. Then by presenting such a design concept through the framework of Constructive Design Research this paper also demonstrates the utilizing of design artifacts for introducing theoretical concepts through design practice. The paper thus demonstrates design practice as a bridge for interpretation, towards theory building and for inter-disciplinary dialogues.
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