6 - 10世纪半雷切耶和南哈萨克斯坦艺术中的交叉臂人物形象(基于考古资料)

G. Ternovaya
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引用次数: 0

摘要

在对Semirechye和南哈萨克斯坦的中世纪城市文化进行多年的研究后,收集了一系列带有人物形象的物品,这些人物的手臂交叉在胸前。这些物品是由陶土,粘土,青铜制成的。考虑到6至10世纪的发现总数,可以注意到这些图像的受欢迎程度。它们的出现与粟特人的影响有关。这些图像与对祖先的崇拜、对来世、死后存在和随后的死者复活的想法有关。早期的发现是一个5 - 6世纪的带有叙利亚铭文的兵马俑基督教图标的碎片,它可能是沿着丝绸之路传到塔拉兹市的。文章提出了在图标上再现“复活”场景的版本。藏骨器,装饰粘土柱,青铜护身符据说描绘了阿维斯陀的法瓦什。这个手势的起源可以追溯到古埃及、伊特鲁里亚人、伊朗、拜占庭和Sogd的艺术中。双手合十祈祷的手势在仪式实践和宗教艺术中保存至今。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Images of Characters with Folded Arms in art of Semirechye and South Kazakhstan 6th—10th centuries (based on archeology materials)
A collection of objects with images of characters, whose arms are folded crosswise on their chest, has been collected over many years of research into the medieval urban culture of Semirechye and South Kazakhstan. These objects are made of terracotta, clay, bronze. Considering the total number of finds dated to the 6th—10th centuries, the popularity of these images can be noted. Their appearance is associated with the influence exerted by the Sogdians. The images correlate with the cult of ancestors, ideas about the afterlife, the posthumous existence and the subsequent resurrection of the dead. An early find is a fragment of a terracotta Christian icon of the 5th—6th centuries with a Syrian inscription, which probably got to the city of Taraz along the Great Silk Road. The article presents the version that the scene “Resurrection” is reproduced on the icon. The ossuaries, decorative clay columns, bronze amulets supposedly depict Avestan fravashi. The origins of the gesture can be traced in the art of Ancient Egypt, Etruscans, Iran, Byzantium, Sogd. The prayer gesture with folded hands has been preserved in ritual practice and religious art to this day.
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