{"title":"6 - 10世纪半雷切耶和南哈萨克斯坦艺术中的交叉臂人物形象(基于考古资料)","authors":"G. Ternovaya","doi":"10.55086/sp225217232","DOIUrl":null,"url":null,"abstract":"A collection of objects with images of characters, whose arms are folded crosswise\n on their chest, has been collected over many years of research into the medieval urban\n culture of Semirechye and South Kazakhstan. These objects are made of terracotta, clay,\n bronze. Considering the total number of finds dated to the 6th—10th centuries, the\n popularity of these images can be noted. Their appearance is associated with the\n influence exerted by the Sogdians. The images correlate with the cult of ancestors,\n ideas about the afterlife, the posthumous existence and the subsequent resurrection of\n the dead. An early find is a fragment of a terracotta Christian icon of the 5th—6th\n centuries with a Syrian inscription, which probably got to the city of Taraz along the\n Great Silk Road. The article presents the version that the scene “Resurrection” is\n reproduced on the icon. The ossuaries, decorative clay columns, bronze amulets\n supposedly depict Avestan fravashi. The origins of the gesture can be traced in the art\n of Ancient Egypt, Etruscans, Iran, Byzantium, Sogd. The prayer gesture with folded hands\n has been preserved in ritual practice and religious art to this day.","PeriodicalId":435723,"journal":{"name":"Stratum plus. Archaeology and Cultural Anthropology","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Images of Characters with Folded Arms in art of Semirechye and South Kazakhstan\\n 6th—10th centuries (based on archeology materials)\",\"authors\":\"G. Ternovaya\",\"doi\":\"10.55086/sp225217232\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A collection of objects with images of characters, whose arms are folded crosswise\\n on their chest, has been collected over many years of research into the medieval urban\\n culture of Semirechye and South Kazakhstan. These objects are made of terracotta, clay,\\n bronze. Considering the total number of finds dated to the 6th—10th centuries, the\\n popularity of these images can be noted. Their appearance is associated with the\\n influence exerted by the Sogdians. The images correlate with the cult of ancestors,\\n ideas about the afterlife, the posthumous existence and the subsequent resurrection of\\n the dead. An early find is a fragment of a terracotta Christian icon of the 5th—6th\\n centuries with a Syrian inscription, which probably got to the city of Taraz along the\\n Great Silk Road. The article presents the version that the scene “Resurrection” is\\n reproduced on the icon. The ossuaries, decorative clay columns, bronze amulets\\n supposedly depict Avestan fravashi. The origins of the gesture can be traced in the art\\n of Ancient Egypt, Etruscans, Iran, Byzantium, Sogd. The prayer gesture with folded hands\\n has been preserved in ritual practice and religious art to this day.\",\"PeriodicalId\":435723,\"journal\":{\"name\":\"Stratum plus. Archaeology and Cultural Anthropology\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Stratum plus. Archaeology and Cultural Anthropology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.55086/sp225217232\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Stratum plus. Archaeology and Cultural Anthropology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.55086/sp225217232","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Images of Characters with Folded Arms in art of Semirechye and South Kazakhstan
6th—10th centuries (based on archeology materials)
A collection of objects with images of characters, whose arms are folded crosswise
on their chest, has been collected over many years of research into the medieval urban
culture of Semirechye and South Kazakhstan. These objects are made of terracotta, clay,
bronze. Considering the total number of finds dated to the 6th—10th centuries, the
popularity of these images can be noted. Their appearance is associated with the
influence exerted by the Sogdians. The images correlate with the cult of ancestors,
ideas about the afterlife, the posthumous existence and the subsequent resurrection of
the dead. An early find is a fragment of a terracotta Christian icon of the 5th—6th
centuries with a Syrian inscription, which probably got to the city of Taraz along the
Great Silk Road. The article presents the version that the scene “Resurrection” is
reproduced on the icon. The ossuaries, decorative clay columns, bronze amulets
supposedly depict Avestan fravashi. The origins of the gesture can be traced in the art
of Ancient Egypt, Etruscans, Iran, Byzantium, Sogd. The prayer gesture with folded hands
has been preserved in ritual practice and religious art to this day.