{"title":"塔拉斯舍甫琴科在评价中所扮演的角色","authors":"V. I. Hnatenko","doi":"10.17721/2410-4094.2020.1(23).72-84","DOIUrl":null,"url":null,"abstract":"No other book by Ukrainian author has ever compelled so much attention as «Kobzar» («The Bard») by Taras Shevchenko. He was the national poet, who confirmed the identity of Ukrainian people, their history and language. Newspapers and magazines in St. Petersburg almost simultaneously announced literary works by Shevchenko. The majority of criticists of the time acknowledged Shevchenko’s talent and advised him to write his masterpieces in Russian and not in the so called «peasant colloquial speech of Little Russia». 1860 was marked by publishing the last «Kobzar» in his life in St. Petersburg. N. Kostomarov, N. Dobroliubov, D. Mordovtsev, М. Mykhailov, P. Kulish, L. Blummer, A. Plescheev were among those who highly valued the piece, emphasizing melodicism, poetry of the language, national colour and the brilliance of its poems combined with profound national character and folk motives as indispensable parts of Shevchenko’s poetic language. Two volumes edition of «Taras Shevchenko in critics» by O. Boron and M. Nazarenko has appeared as one of the most notable accomplishments in Shevchenko studies (edited by Hrabovych). The first volume features comprehensive live edition of reviews of Shevchenko’s poetry and paintings.","PeriodicalId":262956,"journal":{"name":"Shevchenko Studies","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE ROLE TARAS SHEVCHENKO IN EVALUATION IN OF HIS LIFTTIME CRITICAL REVIEWS\",\"authors\":\"V. I. Hnatenko\",\"doi\":\"10.17721/2410-4094.2020.1(23).72-84\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"No other book by Ukrainian author has ever compelled so much attention as «Kobzar» («The Bard») by Taras Shevchenko. He was the national poet, who confirmed the identity of Ukrainian people, their history and language. Newspapers and magazines in St. Petersburg almost simultaneously announced literary works by Shevchenko. The majority of criticists of the time acknowledged Shevchenko’s talent and advised him to write his masterpieces in Russian and not in the so called «peasant colloquial speech of Little Russia». 1860 was marked by publishing the last «Kobzar» in his life in St. Petersburg. N. Kostomarov, N. Dobroliubov, D. Mordovtsev, М. Mykhailov, P. Kulish, L. Blummer, A. Plescheev were among those who highly valued the piece, emphasizing melodicism, poetry of the language, national colour and the brilliance of its poems combined with profound national character and folk motives as indispensable parts of Shevchenko’s poetic language. Two volumes edition of «Taras Shevchenko in critics» by O. Boron and M. Nazarenko has appeared as one of the most notable accomplishments in Shevchenko studies (edited by Hrabovych). The first volume features comprehensive live edition of reviews of Shevchenko’s poetry and paintings.\",\"PeriodicalId\":262956,\"journal\":{\"name\":\"Shevchenko Studies\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shevchenko Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17721/2410-4094.2020.1(23).72-84\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shevchenko Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17721/2410-4094.2020.1(23).72-84","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
没有其他乌克兰作家的书像塔拉斯·舍甫琴科的《吟游诗人》那样吸引了如此多的关注。他是民族诗人,他确认了乌克兰人民的身份,他们的历史和语言。圣彼得堡的报纸和杂志几乎同时公布了舍甫琴科的文学作品。当时的大多数评论家都承认舍甫琴科的才华,并建议他用俄语而不是所谓的“小俄罗斯的农民口语”来写他的杰作。1860年是他在圣彼得堡一生中出版的最后一部《Kobzar》。N. Kostomarov, N. Dobroliubov, D. Mordovtsev, М。米哈伊洛夫、P.库利什、L.布卢默、A.普列舍夫等人高度评价这首诗,强调旋律、语言的诗意、民族色彩和诗歌的光辉,将深刻的民族性格和民间动机结合在一起,是舍甫琴科诗歌语言不可或缺的组成部分。两卷版的«塔拉斯舍甫琴科的批评»由O.硼和M.纳扎连科已经出现在舍甫琴科的研究中最显著的成就之一(由赫拉博维奇编辑)。第一卷的特点是全面的舍甫琴科的诗歌和绘画的评论现场版。
THE ROLE TARAS SHEVCHENKO IN EVALUATION IN OF HIS LIFTTIME CRITICAL REVIEWS
No other book by Ukrainian author has ever compelled so much attention as «Kobzar» («The Bard») by Taras Shevchenko. He was the national poet, who confirmed the identity of Ukrainian people, their history and language. Newspapers and magazines in St. Petersburg almost simultaneously announced literary works by Shevchenko. The majority of criticists of the time acknowledged Shevchenko’s talent and advised him to write his masterpieces in Russian and not in the so called «peasant colloquial speech of Little Russia». 1860 was marked by publishing the last «Kobzar» in his life in St. Petersburg. N. Kostomarov, N. Dobroliubov, D. Mordovtsev, М. Mykhailov, P. Kulish, L. Blummer, A. Plescheev were among those who highly valued the piece, emphasizing melodicism, poetry of the language, national colour and the brilliance of its poems combined with profound national character and folk motives as indispensable parts of Shevchenko’s poetic language. Two volumes edition of «Taras Shevchenko in critics» by O. Boron and M. Nazarenko has appeared as one of the most notable accomplishments in Shevchenko studies (edited by Hrabovych). The first volume features comprehensive live edition of reviews of Shevchenko’s poetry and paintings.