口述诗歌创作与创作语境分析

Dereje Fufa Bidu
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引用次数: 3

摘要

本研究旨在分析口述诗歌的创造性。重点主要有三个:口头创作和/或诗歌产生的方式,它所服务的目的和用于诊断这些的研究方法。本文首先对口头诗歌的研究进行了简要的介绍分析,然后对奥罗穆族口头诗歌的一个子流派进行了描述性分析。该分析是一种描述性的呈现,旨在展示奥罗姆族文化中的体裁特征。从人物、场景、态度和诗歌等方面进行选择,更好地暗示了以往方法的不足。事实上,露丝·芬尼根在《我希望……这本初步的书……将会向其他人介绍这一丰富的领域,并可能鼓励专业学者通过对他们自己语言的特定口头诗歌的详细研究进一步研究这一主题(Finnegan, 1977: xii)。关键词:口头诗歌,创造力,创作场景,创作语境,语境分析,体裁,Oromoo, geerarsa, yeelala
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analysis of creativity and creative context in oral poetry
This study aims to analyse creativity in oral poetry. The focal points are mainly three: the way oral created and /or poetry is produced, the purpose it serves and the research methods employed to diagnose these. It begins with brief introductory analysis of the study of oral poetry in general and proceeds to a descriptive analysis of a sub-genre of Oromoo Oral Poetry. The analysis is a descriptive presentation to show the characteristics of the genre in Oromoo culture. The personality, the scene, the manner and the poems are selected to give better hint about the drawbacks of previous approaches. In fact Ruth Finnegan has initiated it in: I hope ... this preliminary book … will serve to introduce others to this rich field and perhaps encourage specialist scholars to take the subject for further through detailed study of particular oral poetries in their own languages (Finnegan, 1977: xii).   Key words: Oral poetry, creativity, creative scene, creative context, contextual analysis, genre, Oromoo, geerarsa, yeelala
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