论《西伯利亚之旅》中的词象互动

E. Panova
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引用次数: 0

摘要

“西伯利亚之旅”描述了让·查佩·德·奥特罗什为观察金星穿过太阳而进行的一次穿越俄罗斯的旅行。除了对这一现象的描述,书中还包含了作者对18世纪中期俄罗斯政治、历史、地理和军事状况的游记和研究。“西伯利亚之旅”是由让-巴蒂斯特·勒·普林斯(Jean-Baptiste Le Prince)表演的插画系列。由于这些作品是俄罗斯主题服装图像的第一批例子,它们在这位被认为是法国艺术中“俄罗斯”的创造者的艺术家的职业生涯中变得至关重要。本文论述了按照启蒙思想逻辑发展的文本和插图的本质。作者想表明,尽管Chappe d'Auteroche和Le Prince在这本书中合作过,但他们对这个问题的看法不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Word-image interaction in the treatise “Voyage en Siberie”
“Voyage en Siberie” describes a journey through Russia carried out by Jean Chappe d'Auteroche to observe the passage of Venus across the Sun. Besides the description of this phenomenon the book contains the author’s travel notes and study of the Russian political, historical, geographic and military conditions in the middle of the 18th century. “Voyage en Siberie” was accompanied by the cycle of illustrations performed by Jean-Baptiste Le Prince. As these works were among the first examples of the costume images on the Russian subject, they became crucial in the career of the artist who is considered to be the creator of “Russerie” in French art. This paper discusses the nature of the text and illustrations developing according to the logic of ideas of the Enlightenment. The author intends to show that although Chappe d'Auteroche and Le Prince worked together on the book they had different visions of the problem.
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