装置艺术与士绅化问题——探索戈尔本路泽格门的扩展场景

A. Terracciano
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引用次数: 1

摘要

运用扩展场景学的概念分析了戈尔本路上的多感官数字艺术装置“泽尔格门”的设计和公众互动。这是一种尝试,重新思考视觉和现场艺术实践与社区和沉浸式数字环境的创造,以“关系的场景生态”为基础。分析的目的是通过探索一个艺术装置,在数字背景下重新定义以环境为中心的现场表演领域,该艺术装置旨在促进不同设计元素和参与者之间的同步对话,讨论与地方美学、城市发展、社区记忆、遗产和移民相关的问题。诸如参与式戏剧和补救等概念将被用于分析和理论定位在英国激进主义行动的更广泛背景下,戈尔本路上Zelige门的关系的扩展场景,旨在保护和展示正在经历士绅化的有争议的城市地区移民社区的非物质遗产。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Installation Art and the Issue of Gentrification: Exploring the Expanded Scenography of Zelige Door on Golborne Road
The concept of expanded scenography is applied to the analysis of the design and public interaction with the multisensory digital art installation Zelige Door on Golborne Road. This is an attempt to re-think visual and live art practices with communities and the creation of immersive digital environments in terms of a “scenographic ecology of relations.” The analysis aims to reconceptualise the field of environmental-centric live performance in the digital context by exploring an art installation designed to facilitate a synchronic dialogue amongst different design elements and participants on issues related to the aesthetics of the place, urban development, Community Memories, heritage and migration. Concepts such as participatory dramaturgy and remediation will be employed to analyse and theoretically locate the expanded scenography of relations of Zelige Door on Golborne Road within the wider context of activist actions in Britain aimed at preserving and making visible the intangible heritage of migrant communities in contested urban areas undergoing gentrification.
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