{"title":"可持续蜡染生产:回顾与研究框架","authors":"Indarti, I. Rahayu, L. Peng","doi":"10.2991/icracos-19.2020.14","DOIUrl":null,"url":null,"abstract":"Batik is one of the works of ancient art in some countries. This art has become closely associated with the identity of Southeast Asia particularly Indonesia. We define sustainable batik production as a batik production process that is non-polluting, conserving energy and natural resources, economically viable, safe for workers and consumers. The purpose of this study is to outline the results of a literature review on-field sustainability and batik production as well as to provide a conceptual framework for future studies. This study was conducted using a systematic review. The steps of systematic review process were suggested by Cronin, Ryan, and Coughlan (2008) including selecting a review topic, searching the literatures, analyzing and synthesizing the literature, and writing the review. Eighty-two (82) articles were found on sustainable batik production issues in the last ten years. Concerning the dimension of sustainable batik production addressed, four categories were formed: designing (17 papers), waxing (9 articles), dyeing (22 topics) and wastewater treatments (34 papers). From the resume of literature analysis, we found studies conducted in sustainable design (designing process) addressed in batik pattern drawing and pattern storing. Few studies examined waxing process, some studies conducted about utilize of natural dyes and numbers of studies about wastewater treatment of chemical dye. Some suggestions are also presented to stimulate future research of sustainability in batik production. 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We define sustainable batik production as a batik production process that is non-polluting, conserving energy and natural resources, economically viable, safe for workers and consumers. The purpose of this study is to outline the results of a literature review on-field sustainability and batik production as well as to provide a conceptual framework for future studies. This study was conducted using a systematic review. The steps of systematic review process were suggested by Cronin, Ryan, and Coughlan (2008) including selecting a review topic, searching the literatures, analyzing and synthesizing the literature, and writing the review. Eighty-two (82) articles were found on sustainable batik production issues in the last ten years. Concerning the dimension of sustainable batik production addressed, four categories were formed: designing (17 papers), waxing (9 articles), dyeing (22 topics) and wastewater treatments (34 papers). From the resume of literature analysis, we found studies conducted in sustainable design (designing process) addressed in batik pattern drawing and pattern storing. Few studies examined waxing process, some studies conducted about utilize of natural dyes and numbers of studies about wastewater treatment of chemical dye. Some suggestions are also presented to stimulate future research of sustainability in batik production. 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引用次数: 10
摘要
蜡染是一些国家的古代艺术作品之一。这种艺术与东南亚特别是印度尼西亚的身份密切相关。我们将可持续蜡染生产定义为无污染、节约能源和自然资源、经济可行、对工人和消费者安全的蜡染生产过程。本研究的目的是概述对现场可持续性和蜡染生产的文献综述的结果,并为未来的研究提供一个概念框架。本研究采用系统综述的方法进行。Cronin, Ryan, and Coughlan(2008)提出了系统综述过程的步骤,包括选择综述主题,检索文献,分析和综合文献,撰写综述。在过去十年中,发现了82篇关于可持续蜡染生产问题的文章。关于可持续蜡染生产的维度,形成了四个类别:设计(17篇),打蜡(9篇),染色(22篇)和废水处理(34篇)。从文献分析的简历中,我们发现可持续设计(设计过程)的研究涉及蜡染图案绘制和图案存储。对打蜡工艺的研究较少,对天然染料利用的研究较多,对化学染料废水处理的研究较多。并对今后蜡染生产的可持续性研究提出了一些建议。关键词:蜡染,可持续蜡染生产,蜡染工艺,文献综述,研究框架
Sustainable Batik Production: Review and Research Framework
Batik is one of the works of ancient art in some countries. This art has become closely associated with the identity of Southeast Asia particularly Indonesia. We define sustainable batik production as a batik production process that is non-polluting, conserving energy and natural resources, economically viable, safe for workers and consumers. The purpose of this study is to outline the results of a literature review on-field sustainability and batik production as well as to provide a conceptual framework for future studies. This study was conducted using a systematic review. The steps of systematic review process were suggested by Cronin, Ryan, and Coughlan (2008) including selecting a review topic, searching the literatures, analyzing and synthesizing the literature, and writing the review. Eighty-two (82) articles were found on sustainable batik production issues in the last ten years. Concerning the dimension of sustainable batik production addressed, four categories were formed: designing (17 papers), waxing (9 articles), dyeing (22 topics) and wastewater treatments (34 papers). From the resume of literature analysis, we found studies conducted in sustainable design (designing process) addressed in batik pattern drawing and pattern storing. Few studies examined waxing process, some studies conducted about utilize of natural dyes and numbers of studies about wastewater treatment of chemical dye. Some suggestions are also presented to stimulate future research of sustainability in batik production. Keywords— batik, sustainable batik production, batik process, literature review, research framework