“宇宙”工艺中旅游的反面

Jennifer Bauer Eme, M. L. C. Baptista
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引用次数: 0

摘要

本研究的总体目标是在“宇宙”的工艺中提出旅游的反面旗帜。值得注意的是,“旅游的反面”提案涉及的意图是考虑旅游的潜在情节,即旅游-编织-生态系统,这是由跨学科命题引起的,由当代科学、生态系统和复杂性的假设指导,处于不断的运动和重塑中。工匠精神对应着以工匠精神为导向的生产理念。这一观点的特点是一种具有某些独特性的生产方式,它与谨慎和个性化生产的观念有关,利用现有资源,生产者和消费者之间有密切联系,而与生产技术没有密切联系。本文的提议与与托雷斯/RS居民的“对话”有关,在方法论上以Maturana(1988)的新闻认识论和对话本体论的融合为导向,此外还有方法论策略“知识制图”(Baptista, 2014),这也指导了研究的发展。理论-概念轨道由对复杂科学、整体和生态系统的理解组成,作者如Capra (1997;2020)、莫林(2005)、克雷马(1989)、桑托斯(2003)、德勒兹和瓜塔里(1995)。关于传播中的知识宇宙,Medina(2006)、Marcondes Filho(2008)和Lima(2009)脱颖而出;关于旅游中的知识宇宙,作者:Beni和Moesch (2017), Gastal (2002), Yázigi(2001)和Baptista (2019);2020年;2020 b)。工艺的理念主要是由对“为生存而生产”的理解所引导的(Santos, 2002)。结合“对话”,它提出了对知识生产和实践的反思,在这种情况下,是旅游业。因此,“对话”场所和主题对于以生态系统责任为指导的旅游发展的重要性突出,考虑到其特征情节并(重新)认识到其反面的潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Reverse Side of Tourism in the Craftsmanship of “Com-Verse”
The general objective of the present research is to propose flags of the Reverse side of Tourism in the Craftsmanship of “com-verse”. It is noteworthy that the proposal Reverse side of Tourism deals with the intention to consider the underlying plot of Tourism understood as Tourism-Weave-Ecosystem, arising from transdisciplinary propositions, guided by assumptions of contemporary science, ecosystem and complex, being in constant movement and reinvention. Craftsmanship corresponds to the proposal of production oriented by craftsmanship. This perspective is marked by a mode of production with some singularities, linked to the idea of careful and personalized production, using existing resources, with a close link between producers and consumers, and without a close link with production technologies. The proposal of this text is related to the production of “com-versations” with residents of Torres/RS, methodologically oriented by the confluence of the Epistemology of Journalism and the Ontology of Conversation, by Maturana (1988), in addition to the methodological strategy Cartography of Knowledge (Baptista, 2014), which also guides the development of the research. The theoretical-conceptual tracks are composed of the understanding of complex Science, holistic and ecosystemic, with authors such as Capra (1997; 2020), Morin (2005), Crema (1989), Santos (2003), Deleuze and Guatarri (1995). Regarding the universe of knowledge in Communication, Medina (2006), Marcondes Filho (2008) and Lima (2009) stand out; in relation to the universe of knowledge in Tourism, the authors: Beni and Moesch (2017), Gastal (2002), Yázigi (2001) and Baptista (2019; 2020a; 2020b). The idea of Craftsmanship is guided, mainly, by the understanding of “producing to live” (Santos, 2002). In association with the “com-versations”, it proposes a reflection on the production of knowledge and practices, in this case, tourism. Also, as a result, the importance of “com-versaitions” places and subjects for the development of Tourism guided by ecosystem responsibility, considering its characteristic plot and (re)cognizing its reverse side as potentiality, stands out.
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