A. Jastrzębska
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引用次数: 0

摘要

这篇文章包括了几个哥伦比亚毒品小说的叙事语法中的死亡主题的清单。将讨论费尔南多·巴列霍、豪尔赫·佛朗哥和阿图罗·阿拉佩的“西卡雷斯卡”小说。角色的构造,年轻的职业杀手,他们的暴力和过早的死亡被视为他们的命运,将显示出无可争议的“死亡”的一面。在本文的第二部分,将分析古斯塔沃Álvarez Gardeazábal的小说《指挥官Paraíso》和劳拉·雷斯特雷波的小说《利奥帕多·索尔》中所呈现的死亡的仪式维度。最后一部分将致力于展示胡安·加布里埃尔(Juan Gabriel)的《El ruido de las cosas al caer》Vásquez和约瑟·利巴尔多·波拉斯(joses Libardo Porras)的《生日快乐,capo》中巴勃罗·埃斯科瓦尔(Pablo Escobar)之死的标志性和象征性维度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Narconovela colombiana: narrativa de corte thanático
This article comprises an inventory of the motif of death within the narrative syntax of several Colombian narco novels. “Sicaresca” novels by Fernando Vallejo, Jorge Franco and Arturo Alape will be discussed. The construct of the cha-racters, young contract killers, whose violent and premature deaths are seen as their fate, will be shown to display an indisputably “Thanatotic” facet. In the se-cond part of this article, the ritual dimension of death, presented in the novels “Comandante Paraíso” by Gustavo Álvarez Gardeazábal and “Leopardo al sol” by Laura Restrepo, will be analysed. The last part will be dedicated to the ico-nic and symbolic dimension of Pablo Escobar’s death depicted in “El ruido de las cosas al caer” by Juan Gabriel Vásquez and “Happy birthday, capo” by José Libardo Porras.
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