先知耶利米

R. Goldstein
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引用次数: 0

摘要

这一章考虑了关于先知耶利米的传说,描述了它们的文学特征,并将它们置于全书的创作历史中。它确定了在这个语料库中工作的三种不同的编辑冲动:理想化,图式化和历史化。只有少数关于先知的文本可以被称为正确的叙事,而这些文本是与预言分开发展的。理解这些传说的历史的一个可能的关键在于关于耶利米在耶路撒冷最后几天的故事的双重循环(耶37:11-40:6)。这些章节保留了两种相互依存的叙述,一种改写了另一种,将先知从人类变成了英雄。塑造这些传说的另一个重要因素是他们使用了早期国王和先知相遇的叙述(耶利米书26章和36章;周37:3-10;21:1-10;耶利米28)。所谓的“耶利米传”(耶37-44),就其本身而言,是在耶利米时期后很长一段时间内人工合成的。这个序列是由一个后期的申命记编纂者组成的,他把关于先知的叙述和关于犹大王国最后几天的编年史结合在一起,以阐明他对先知在历史中的作用的看法。这个编者也整合了耶利米书42章和44章,强化了以色列人与耶和华之约的保存取决于从巴比伦返回的观念。最后,这篇文章考察了从几乎没有传记基础的材料中创造出的准叙事(耶利米书18-20)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Prophet Jeremiah
This chapter considers the legends about the prophet Jeremiah, describing their literary character, and it situates them within the compositional history of the book. It identifies three distinct editorial impulses at work within this corpus: idealization, schematization, and historization. Only a few of the texts concerning the prophet can be called proper narratives, and those grew separately from the prophecies. A possible key to understanding the history of the legends lies in the double cycle of stories about Jeremiah in the last days of Jerusalem (Jer 37:11–40:6). These chapters preserve two interdependent accounts, one reworking the other and transforming the prophet from human being to hero. Another important factor in the shaping of the legends was their use of narratives of earlier encounters between kings and prophets (Jeremiah 26 and 36; Jer 37:3–10; 21:1–10; Jeremiah 28). The so-called “Biography of Jeremiah” (Jer 37–44), for its part, is an artificial composition assembled a long time after the period of Jeremiah. This sequence was composed by a late Deuteronomistic redactor, who combined narratives about the prophet and a chronicle concerning the last days of the kingdom of Judah in order to set forth his view of the prophet’s role in history. This redactor also integrated Jeremiah 42 and 44, reinforcing the notion that the preservation of the Israelite’s covenant with YHWH depends on the returnees from Babylon. Finally, this essay examines the creation of quasi-narratives out of materials that have almost no biographical basis (Jeremiah 18–20).
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