八十年代普鲁特左派抒情中文本自恋的证据

Victoria Malinovschi
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引用次数: 0

摘要

在八十年代普鲁特左翼的诗歌中,一种自我指涉的写作被强调出来,这种写作被文学训诂学定义为文本自恋(christian Moraru)。这种抒情诗的方式属于诗人艾米利安·加拉、乌普鲁尤和尼古拉·利亚胡,它要求人们专注于自己的语言资源和他们在语言领域的实验。这些诗人的作品中经常使用发达的抒情结构,它们带来了语言游戏、引语、典故、模仿、改写等。尽管两位诗人都没有忽视一个细心的读者可以感知到的观念计划,但他们写作的最终目的在于话语的创造,话语脱离了任何其他现实,它自主地存在,自给自足。因此,这首诗回归了那喀索斯的神话,陈述了自我指涉和自我沉思写作的概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Evidence of Textual Narcissism in the Eighties Lyric from the Left of the Prut
n the eighty’s poetry from the left of the Prut, a kind of self-referential writing is highlighted, defined by literary exegesis by the term textual narcissism (Cristian Moraru). This own lyrical manner belongs the poets Emilian GalaicuPăun and Nicolae Leahu and It supposes the concentration on one’s own linguistic resources and their experimentation in the field of language. The developed lyrical constructions, frequently used in the work of these poets, they bring language games, quotations, allusions, parodies, rewritings, etc. Although, both poets don’t ignore the ideational plan, which an attentive reader can perceive, the finality of their writing consists, however, in the creating of the discourse, which It detaches itself from any other reality and It exists autonomously, being self-sufficient. Thus, such a poem returns the myth of Narcissus, stating the concept of self-referential and self-contemplative writing.
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