定位铜新月

C. Cipolla
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引用次数: 1

摘要

本报告考虑了来自安大略省的铜新月形物体,将它们置于更广泛的考古讨论中。我把注意力集中在皇家安大略博物馆(Royal Ontario Museum)的一小批由古玩家收集的月牙形收藏品上。文献综述是本报告的主要内容;从位于旧铜建筑群中心的遗址中发现的新月,位于今天的威斯康星州和密歇根州,有助于定位古董收藏中的例子。我从月牙的年代和地理宽度、形式上的变化以及发现月牙的不同沉积环境等方面讨论了月牙。来自古文物收藏的三个例子代表了在公认的类型学中没有代表的新形式的铜新月。其中两件出土于相距约1600公里的地方,非常像石制和铜制的乌鲁刀,每把刀都有一个独特的铜柄,曾经有一个柄。通过将这一特殊的收藏置于更广泛的本地铜讨论中,本报告表明,在记住僵化的类型学思维的局限性的同时,通过糟糕的考古收藏进行思考的持续重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Situating Copper Crescents
This report considers copper crescent-shaped objects from Ontario, contextualizing them within broader archaeological discussions of the Old Copper Complex. I focus on a small assemblage of antiquarian-collected crescents from the Royal Ontario Museum. A literature review comprises the bulk of this report; crescents recovered from sites located in the center of the Old Copper Complex, in current-day Wisconsin and Michigan, help to situate examples in the antiquarian collection. I discuss crescents in terms of their chronological and geographic breadth, their formal variation, and the different depositional contexts in which they are found. Three examples from the antiquarian collection represent novel forms of copper crescent that are not represented in the accepted typology. Two of these, collected approximately 1,600 km apart from one another, closely resemble stone and copper ulu knives, each with a unique copper handle that once bore a haft. By situating this particular collection within broader discussions of native copper, this report demonstrates the continued importance of thinking through poorly-contextualized archaeological collections while remembering the limitations of rigid, typological thinking.
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