纺织系统中的张力与物质性木偶的视角

Sabrina Recoules Quang
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摘要

摘要:本文旨在通过木偶戏的角度来发展研究和开发的互补链,以设计后数字纺织和软材料系统。它借鉴了木偶戏的方法来设计和表演不同的材料。本文分析了木偶系统中存在的张力是如何引发不可思议的关系的,并运用“双重视觉”和“呼吸的静止”的概念,从木偶的角度来看待“文本”中的纺织品。从这个角度来看,它回顾了材料研究人员已经开发出的替代设计方法,以生产新的纺织材料,并开始为设计师参与后数字材料寻找新的框架。本文提出了在纺织品中开发新的材料质量的基础,以木偶制作作为一种设计方法,在纺织系统中产生一个相互联系和模糊的代理世界,从而产生与我们的环境进行非语言交流的新形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tension and Materiality in a Textile System; A Puppetry Perspective
Abstract The paper seeks to develop complementary strands of research and development through a puppetry perspective for designing with postdigital textile and soft material systems. It draws from the puppetry approach to designing and performing with different materialities. The paper analyses how the tensions present in a puppet system provoke uncanny relationships and use the concepts of “double vision” and “breathed stillness” to give a puppetry perspective on textiles in “textasis”. From this point of view, it reviews alternative design methodologies already developed by material researchers to produce new textile materials and begins to trace a new framework for designers engaging with postdigital materials. This paper proposes a foundation to develop new material qualities within textiles eliciting puppet making as a design method for bringing forth a world of interconnected and ambiguous agencies in a textile system in order to generate new forms of nonverbal communication with our environment.
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