日本计算机图形学(小组讨论):挑战与机遇

Laurin Herr, Madoka Kato, Akira Amano, Y. Kawaguchi, K. Omura
{"title":"日本计算机图形学(小组讨论):挑战与机遇","authors":"Laurin Herr, Madoka Kato, Akira Amano, Y. Kawaguchi, K. Omura","doi":"10.1145/800059.801150","DOIUrl":null,"url":null,"abstract":"In a country as media-saturated as Japan, where the preservation of traditional social and aesthetic forms has been balanced over the past 120 years by a relentless quest for new ideas, fashions and techniques, computer graphics has found favor because of its novelty, expressive power and futuristic look. It fits nicely with the high-tech products and corporate images of many of Japan's largest advertisers. It is consistent with the national movement to enthusiastically embrace the \"information age\". And, it seems to offer significant productivity gains in several areas of commercial production. Finally, computer graphics has been the subject of extraordinary scrutiny simply because it is widely perceived in Japan to be the image-making system of the future. The past eighteen months have witnessed the beginning of a computer graphics boom within the world of Japanese commercial production and media. There have been many reports in books, magazines, newspapers and on television. Computer graphics conferences and events have been organized. The large advertising agencies have begun to show wideranging interest in the field. And several new computer graphics production companies have established facilities in Tokyo. This panel will introduce developments in the Japanese computer graphics world that could have impact on the international commercial production industry. The panelists were selected to represent a wide range of viewpoints: agency producer, industry observer, artist/educator and engineer. The audience will be encouraged to ask questions. Laurin Herr graduated from Cornell University in 1972 with a B.A. degree in Government. He is currently the Director of Pacific Interface, a private New Yorkbased firm founded in 1980 which specializes in computer graphics and Japanese/American interaction. His first trip to Japan was in 1973 and he has returned many times, both to continue his studies of the language and culture and to work as an interpreter/coordinator on a variety of international projects. Mr. Herr became involved in computer graphics in 1979 when he was international staff liaison for the production of the \"Mind of the Universe Electro-Opera\". He has authored a comprehensive report on \"Siggraph'81 and trends in the Computer Graphics Industry\" for a Japanese client, coauthored a six-part series of articles about computer graphics published in the Japanese magazine ASCII and produced the American segments of several lengthy Japanese television reports about the field. Most recently, he has served as the North American Coordinator for the Micrograph'82 Conference and as the Program Coordinator for the Intergraphics'83 Conference, both held in Tokyo. He currently resides in Tokyo where he serves as Siggraph's volunteer representative in Japan.","PeriodicalId":381383,"journal":{"name":"Proceedings of the 10th annual conference on Computer graphics and interactive techniques","volume":"74 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1983-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Japanese computer graphics (Panel Session): Challenges and opportunities\",\"authors\":\"Laurin Herr, Madoka Kato, Akira Amano, Y. Kawaguchi, K. Omura\",\"doi\":\"10.1145/800059.801150\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In a country as media-saturated as Japan, where the preservation of traditional social and aesthetic forms has been balanced over the past 120 years by a relentless quest for new ideas, fashions and techniques, computer graphics has found favor because of its novelty, expressive power and futuristic look. It fits nicely with the high-tech products and corporate images of many of Japan's largest advertisers. It is consistent with the national movement to enthusiastically embrace the \\\"information age\\\". And, it seems to offer significant productivity gains in several areas of commercial production. Finally, computer graphics has been the subject of extraordinary scrutiny simply because it is widely perceived in Japan to be the image-making system of the future. The past eighteen months have witnessed the beginning of a computer graphics boom within the world of Japanese commercial production and media. There have been many reports in books, magazines, newspapers and on television. Computer graphics conferences and events have been organized. The large advertising agencies have begun to show wideranging interest in the field. And several new computer graphics production companies have established facilities in Tokyo. This panel will introduce developments in the Japanese computer graphics world that could have impact on the international commercial production industry. The panelists were selected to represent a wide range of viewpoints: agency producer, industry observer, artist/educator and engineer. The audience will be encouraged to ask questions. Laurin Herr graduated from Cornell University in 1972 with a B.A. degree in Government. He is currently the Director of Pacific Interface, a private New Yorkbased firm founded in 1980 which specializes in computer graphics and Japanese/American interaction. His first trip to Japan was in 1973 and he has returned many times, both to continue his studies of the language and culture and to work as an interpreter/coordinator on a variety of international projects. Mr. Herr became involved in computer graphics in 1979 when he was international staff liaison for the production of the \\\"Mind of the Universe Electro-Opera\\\". He has authored a comprehensive report on \\\"Siggraph'81 and trends in the Computer Graphics Industry\\\" for a Japanese client, coauthored a six-part series of articles about computer graphics published in the Japanese magazine ASCII and produced the American segments of several lengthy Japanese television reports about the field. Most recently, he has served as the North American Coordinator for the Micrograph'82 Conference and as the Program Coordinator for the Intergraphics'83 Conference, both held in Tokyo. He currently resides in Tokyo where he serves as Siggraph's volunteer representative in Japan.\",\"PeriodicalId\":381383,\"journal\":{\"name\":\"Proceedings of the 10th annual conference on Computer graphics and interactive techniques\",\"volume\":\"74 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1983-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 10th annual conference on Computer graphics and interactive techniques\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/800059.801150\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 10th annual conference on Computer graphics and interactive techniques","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/800059.801150","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

在日本这样一个媒体饱和的国家,在过去的120年里,对传统社会和审美形式的保留一直在不断追求新思想、新时尚和新技术,计算机图形学因其新颖性、表现力和未来感而受到青睐。它非常符合日本许多最大广告商的高科技产品和企业形象。这与热情拥抱“信息时代”的民族运动是一致的。而且,它似乎在几个商业生产领域提供了显著的生产力提高。最后,计算机图形学之所以受到严格审查,仅仅是因为它在日本被广泛认为是未来的图像制作系统。过去的18个月见证了计算机图形在日本商业生产和媒体领域的繁荣。在书籍、杂志、报纸和电视上都有很多报道。组织了计算机图形学会议和活动。大型广告公司已经开始对这一领域表现出广泛的兴趣。还有几家新的计算机图形制作公司在东京建立了工厂。该小组将介绍日本计算机图形世界的发展,这些发展可能对国际商业制作行业产生影响。小组成员的选择代表了广泛的观点:代理制片人,行业观察员,艺术家/教育家和工程师。我们鼓励观众提问。Laurin Herr于1972年毕业于康奈尔大学,获得政府学士学位。他目前是Pacific Interface的董事,Pacific Interface是一家位于纽约的私人公司,成立于1980年,专门从事计算机图形和日本/美国交互。他第一次去日本是在1973年,之后他多次返回日本,既继续他的语言和文化研究,也在各种国际项目中担任翻译/协调员。赫尔先生于1979年开始接触计算机图形学,当时他是制作“宇宙之心电子歌剧”的国际工作人员联络员。他为一个日本客户撰写了一篇关于“Siggraph'81和计算机图形行业趋势”的综合报告,与人合作撰写了一篇由六部分组成的关于计算机图形学的系列文章,发表在日本杂志《ASCII》上,并制作了几篇关于该领域的长篇日本电视报道的美国部分。最近,他曾担任Micrograph'82会议的北美协调员和Intergraphics'83会议的项目协调员,这两个会议都在东京举行。他目前居住在东京,担任Siggraph在日本的志愿者代表。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Japanese computer graphics (Panel Session): Challenges and opportunities
In a country as media-saturated as Japan, where the preservation of traditional social and aesthetic forms has been balanced over the past 120 years by a relentless quest for new ideas, fashions and techniques, computer graphics has found favor because of its novelty, expressive power and futuristic look. It fits nicely with the high-tech products and corporate images of many of Japan's largest advertisers. It is consistent with the national movement to enthusiastically embrace the "information age". And, it seems to offer significant productivity gains in several areas of commercial production. Finally, computer graphics has been the subject of extraordinary scrutiny simply because it is widely perceived in Japan to be the image-making system of the future. The past eighteen months have witnessed the beginning of a computer graphics boom within the world of Japanese commercial production and media. There have been many reports in books, magazines, newspapers and on television. Computer graphics conferences and events have been organized. The large advertising agencies have begun to show wideranging interest in the field. And several new computer graphics production companies have established facilities in Tokyo. This panel will introduce developments in the Japanese computer graphics world that could have impact on the international commercial production industry. The panelists were selected to represent a wide range of viewpoints: agency producer, industry observer, artist/educator and engineer. The audience will be encouraged to ask questions. Laurin Herr graduated from Cornell University in 1972 with a B.A. degree in Government. He is currently the Director of Pacific Interface, a private New Yorkbased firm founded in 1980 which specializes in computer graphics and Japanese/American interaction. His first trip to Japan was in 1973 and he has returned many times, both to continue his studies of the language and culture and to work as an interpreter/coordinator on a variety of international projects. Mr. Herr became involved in computer graphics in 1979 when he was international staff liaison for the production of the "Mind of the Universe Electro-Opera". He has authored a comprehensive report on "Siggraph'81 and trends in the Computer Graphics Industry" for a Japanese client, coauthored a six-part series of articles about computer graphics published in the Japanese magazine ASCII and produced the American segments of several lengthy Japanese television reports about the field. Most recently, he has served as the North American Coordinator for the Micrograph'82 Conference and as the Program Coordinator for the Intergraphics'83 Conference, both held in Tokyo. He currently resides in Tokyo where he serves as Siggraph's volunteer representative in Japan.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信