{"title":"中国艺术史基本问题研究中的主体性质思考","authors":"Zhengyang Yang","doi":"10.1145/3456887.3457000","DOIUrl":null,"url":null,"abstract":"The study of Chinese art history has always been an important work in the field of art history. In the research practice, art history with Chinese characteristics has been taken as the key research direction. This paper first introduces the differences between Chinese and Western art concepts, then discusses the possibility of the discipline of Chinese art history, and finally explores the path of the discipline of Chinese art history.","PeriodicalId":441418,"journal":{"name":"2021 2nd International Conference on Computers, Information Processing and Advanced Education","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reflections on the Nature of the Subject in the Study of Basic Problems of Chinese Art history\",\"authors\":\"Zhengyang Yang\",\"doi\":\"10.1145/3456887.3457000\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The study of Chinese art history has always been an important work in the field of art history. In the research practice, art history with Chinese characteristics has been taken as the key research direction. This paper first introduces the differences between Chinese and Western art concepts, then discusses the possibility of the discipline of Chinese art history, and finally explores the path of the discipline of Chinese art history.\",\"PeriodicalId\":441418,\"journal\":{\"name\":\"2021 2nd International Conference on Computers, Information Processing and Advanced Education\",\"volume\":\"10 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2021 2nd International Conference on Computers, Information Processing and Advanced Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/3456887.3457000\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2021 2nd International Conference on Computers, Information Processing and Advanced Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3456887.3457000","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Reflections on the Nature of the Subject in the Study of Basic Problems of Chinese Art history
The study of Chinese art history has always been an important work in the field of art history. In the research practice, art history with Chinese characteristics has been taken as the key research direction. This paper first introduces the differences between Chinese and Western art concepts, then discusses the possibility of the discipline of Chinese art history, and finally explores the path of the discipline of Chinese art history.