20世纪30年代的马来社论漫画:幽默和讽刺的视觉化他者

A. Merican
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摘要

这篇文章通过他们对马来他者的描述来定义马来人的身份——阿拉伯人、印度穆斯林和欧洲人。阿拉伯人和土生华人阿拉伯人被认为是伪装的外国人,欧洲殖民者被认为是现代性的先驱。从这个角度来看,在马来西亚,使用社论漫画的文章并不多。这篇文章的重点是马来人对什么是外国人(和西方)的描述。漫画的媒介是最近在马来语报纸上的一项创新,首次出现在1936年9月7日的每周画报《Warta Jenaka》的第一期上。本文考察了20世纪30年代包括《华塔报》和《Utusan Zaman》在内的三份主要期刊对殖民主义和西方影响的矛盾心理的建构。这是两次世界大战之间的年代。这些期刊以幽默和讽刺的方式捕捉马来人的情绪,从阿拉伯人的近似文化到英国或欧洲的种族、现代性和进步概念。它认识到作为批评和讽刺工具的马来新闻界的殖民条件和环境以及固有的性质。视觉上的族群-民族主义话语是在这一时期被带入马来意识的现代性轨迹中观察到的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Malay Editorial Cartoons in the 1930s: Humour and Sarcasm in Visualising the Other
This article defines Malay identity through their portrayal of the Malay Other - the Arabs, Indian Muslims and the Europeans. The Arabs and Peranakan Arabs were identified as foreigners in disguise, the Europeans colonisers as harbingers of modernity. From this perspective not much have been written, using editorial cartoons in Malaysia. This article then focuses on the depiction by the Malay of what constitutes the foreigner (and the West). The medium of the cartoon was a recent innovation in Malay-language newspapers, having first appeared in the first issue of Warta Jenaka a weekly pictorial newspaper on 7 September of 1936. This article surveys three major periodicals in the 1930s including that of Warta Ahad and Utusan Zaman in their construction of ambivalence toward colonialism and Western influence. These were the inter-war years. The periodicals capture Malay sentiments couched in humor and sarcasm ranging from the proximate culture of the Arabs to British or European notions of race, modernity and progress. It is cognizant of the colonial condition and the milieu and the inherent character of the Malay press, serving as instruments of criticism and satire. The visual ethno- nationalistic discourse is observed with regard to the trajectory of modernity brought into Malay awareness during the period.
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