{"title":"把世界放回世界电影","authors":"T. Luca","doi":"10.1163/26659891-0000a005","DOIUrl":null,"url":null,"abstract":"\nThe world envisioned by the idea of world cinema is often tied to a conception of the planet in terms of the global circulation of films and networks of production, consumption and distribution. This article argues for the need to confront the world as a representational and aesthetic category in and of itself.","PeriodicalId":377215,"journal":{"name":"Studies in World Cinema","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Putting the World Back into World Cinema\",\"authors\":\"T. Luca\",\"doi\":\"10.1163/26659891-0000a005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThe world envisioned by the idea of world cinema is often tied to a conception of the planet in terms of the global circulation of films and networks of production, consumption and distribution. This article argues for the need to confront the world as a representational and aesthetic category in and of itself.\",\"PeriodicalId\":377215,\"journal\":{\"name\":\"Studies in World Cinema\",\"volume\":\"15 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in World Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/26659891-0000a005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in World Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/26659891-0000a005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The world envisioned by the idea of world cinema is often tied to a conception of the planet in terms of the global circulation of films and networks of production, consumption and distribution. This article argues for the need to confront the world as a representational and aesthetic category in and of itself.
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