教师独白:A/r/地理探索

Mindy R. Carter
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引用次数: 2

摘要

以艺术为基础的研究越来越被视为不仅是一种接近研究和工作的合理方式,而且是一种必不可少的方式。它为研究人员提供了一种与他们的目标受众、其他感兴趣的研究人员和他们自己的“多重自我”联系的方式。地理调查和基于研究的戏剧是基于艺术的研究中的两种具体方法,它们正在扩大被认为是教育研究的边界。这些形式的探究有助于人们发展富有想象力、创造性和情感的方式来学习课程。本文首先试图探索《教师独白》的创作(写作、编辑和编辑)作为反思性实践的一个例子,如何作为基于戏剧的研究和/r/地理调查来阐述。它试图积极参与菲利普·泰勒(1996)的建议,推动戏剧教育超越传统的科学研究标准,以探索形而上学和神学的可能性。在本文中,通过探索与地理调查相关的理性和精神来考虑这一点。作为这一理论研究的切入点,“教师独白”是由作者和其他教师(以他们的教学实践和经验为主题)撰写的一系列独白,被编写,表演,然后参与。对于这些独白的内容,什么是可以接受的,什么是不可以接受的,几乎没有什么说明。相反,在教学实践(K-12,大学,美术老师等)中探索任何话题的自由被认为是合适的。独白写作为教学实践者提供了一种基于各种个人和职业原因进行反思、叙事的自传体实践的方式。当一个人将艺术,研究和写作结合在一起时,赋予“混乱”,“有趣”和“意想不到”的特权不仅是这篇文章写作过程的一部分,也是这篇文章的重点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Teacher Monologues: An A/r/tographical Exploration
Arts-based research is increasingly seen not only as a plausible way for approaching one's research and work, but as an essential one. It provides a way for the researcher to connect with their intended audiences, other interested researchers and their own 'multiple selves'. A/r/tographical inquiry and research-based theatre are two of the specific methodologies within arts-based research that are expanding the borders of what is considered to be educational research. These forms of inquiry help one to develop imaginative, creative and emotional ways of approaching the curriculum. This article began by attempting to explore how the creation (writing, editing and compiling) of 'The Teacher Monologues' as an example of a reflective practice could be articulated as theatre-based research and as a/r/tographical inquiry. It attempts to actively engage with Philip Taylor's (1996) suggestion to push drama education beyond the traditional scientific criteria for research in order to explore metaphysical and theological possibilities. In this article this is considered by exploring the nous and esprit in relation to a/r/tographical inquiry. As an entry point into this theoretical investigation, 'The Teacher Monologues', a series of monologues that have been written by the author and other teachers (on the topic of their teaching practices and experiences), were written, performed and then engaged with. Very few instructions were provided for what was/was not acceptable as content for these monologues. Rather, the freedom to explore any topic that arose from one's teaching practice (K-12, university, art teacher etc.) was deemed appropriate. Monologue writing offers the teaching practitioner a way to engage in a reflective, narrative autobiographical practice for a variety of personal and professional reasons. Privileging the 'messiness', 'fun' and 'unexpected' inherent when one combines art, research and writing was not only part of the process involved in the writing of this piece but is the focus of the article.
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