{"title":"后现代黑帮人物托尼·索普诺:身份控制与自我表露","authors":"Anne G. Barretta","doi":"10.1080/15456870009367389","DOIUrl":null,"url":null,"abstract":"Mafia lore and the personalities of organized crime figures, both real and fictional, have long fascinated American popular culture. Through an examination of the suburban world of mass‐media gangster Tony Soprano of the HBO series The Sopranos, this paper applies Erving Goffman's theories of self‐presentation and impression management to examine the contradictions of human behavior.","PeriodicalId":113832,"journal":{"name":"New Jersey Journal of Communication","volume":"81 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2000-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Tony soprano as postmodern gangster: Controlling identities and managing self‐disclosure\",\"authors\":\"Anne G. Barretta\",\"doi\":\"10.1080/15456870009367389\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Mafia lore and the personalities of organized crime figures, both real and fictional, have long fascinated American popular culture. Through an examination of the suburban world of mass‐media gangster Tony Soprano of the HBO series The Sopranos, this paper applies Erving Goffman's theories of self‐presentation and impression management to examine the contradictions of human behavior.\",\"PeriodicalId\":113832,\"journal\":{\"name\":\"New Jersey Journal of Communication\",\"volume\":\"81 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2000-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Jersey Journal of Communication\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15456870009367389\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Jersey Journal of Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15456870009367389","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Tony soprano as postmodern gangster: Controlling identities and managing self‐disclosure
Mafia lore and the personalities of organized crime figures, both real and fictional, have long fascinated American popular culture. Through an examination of the suburban world of mass‐media gangster Tony Soprano of the HBO series The Sopranos, this paper applies Erving Goffman's theories of self‐presentation and impression management to examine the contradictions of human behavior.
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