定位中世纪亚美尼亚在大都会艺术博物馆

Heather A. Badamo
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引用次数: 0

摘要

跨越13个世纪的展览“亚美尼亚!汇集了大约140件物品,在全球背景下展示了亚美尼亚人民的中世纪艺术和文化。由于其复杂的历史和不断变化的边界,亚美尼亚在当代学术中经常存在于中世纪艺术的边界,这破坏了对帝国和政治的基本理解。本次展览试图透过宗教与贸易的双重主题“定位”亚美尼亚,记录亚美尼亚人运用视觉文化建构自我与社群形象的无数方式。展出的作品展示了亚美尼亚艺术和宗教文化的独特品质,同时也记录了与不断变化和扩大的邻居和贸易伙伴的联系。该目录为学者们提供了大量富有洞察力的文章和目录条目,这些文章和条目的特点是经过深入研究,将在未来几十年里成为该领域的试金石。本次展览和目录共同呼吁中世纪学者重新思考我们研究和教授中世纪艺术的方式,认识到东方基督教社区的内在多样性、相互关联的历史和非凡的艺术成就。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Locating Medieval Armenia at the Metropolitan Museum of Art
Spanning 13 centuries, the exhibition “Armenia!” brings together some 140 objects to present the medieval art and culture of the Armenian peoples in a global context. Armenia has often existed at the borders of medieval art in contemporary scholarship, due to its complex history and continuously shifting borders, which undermine basic understandings of empires and polities. This exhibition seeks to “locate” Armenia through the twin themes of religion and trade, documenting the myriad ways in which Armenians employed visual culture to construct images of the self and community. The works on display demonstrate the distinctive qualities of the Armenian artistic and religious culture, while also documenting contact with an ever-shifting and expanding group of neighbors and trading partners. At once complimenting and extending the reach of the exhibition, the catalog provides scholars with a trove of insightful essays and catalog entries that are, characteristically, deeply researched and will serve as a touchstone in the field for decades to come. Together, this exhibition and catalog calls on medievalists to rethink the way we study and teach medieval art, recognizing the inner diversities, interlocking histories, and extraordinary artistic achievements of Christian communities in the east.
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