新边疆

E. L. Carter
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引用次数: 0

摘要

本章探讨了自2011年以来巴西互联网接入的扩张,并分析了三个广受好评的网络系列:Septo (Septum, YouTube), Marcos: Uma webssamrie quase original (Marcos: An Almost original网络系列,Instagram和YouTube)和3% (YouTube和Netflix)。前两部电影是专门为互联网发行而制作的,是最近在远离里约- 圣保罗生产轴的城市成立的制作公司的产品:纳塔尔和南卡西亚斯。虽然他们在类型、基调、长度和主题上有所不同,但Septo和Marcos都代表了巴西在2011年之前很少出现在小屏幕上的地区。就其本身而言,3%的人避开了地区和国家差异,而是关注后世界末日的世界。与《Septo》和《Marcos》不同的是,这两部作品都是在新的巴西媒体环境中出现的,而《3%》的制作跨越了2011年前后的媒体环境。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The New Frontier
This chapter explores the expansion of Internet access in Brazil since 2011 and analyzes three critically acclaimed web series: Septo (Septum, YouTube), Marcos: Uma websérie quase original (Marcos: An Almost Original Web series, Instagram and YouTube), and 3% (YouTube and Netflix). The former two were made exclusively for Internet distribution and are the products of recently formed production companies in cities far from the Rio–São Paulo axis of production: Natal and Caxias do Sul. While they differ in genre, tone, length, and themes, both Septo and Marcos stand out for representing regions of Brazil not often portrayed on the small screen during the period leading up to 2011. For its part, 3% eschews regional and national differences, focusing instead on a post-apocalyptic world. Unlike Septo and Marcos, both of which emerged within the context of the new Brazilian mediascape, the production of 3% spans the pre- and post-2011 mediascapes.
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