{"title":"照顾好你的伤疤，莉莉娅!北欧电影中后苏联他者形象的去污名化","authors":"T. Pauly","doi":"10.1515/bsmr-2015-0014","DOIUrl":null,"url":null,"abstract":"Abstract The article discusses the cinematic representations of the post-Soviet individual in two internationally acclaimed Nordic films, namely, Aki Kaurismäki’s Take Care of Your Scarf, Tatiana (Pidä huivista kiinni, Tatjana, Finland/Germany, 1994) and Lukas Moodysson’s Lilya 4-Ever (Lilja 4-ever, Sweden/Denmark, 2002). The guiding premise is that the films represent cross-cultural inquiries on identity and otherness that reflect and challenge the (male) gaze of the West European North upon the (female) post-Soviet East soon after the collapse of the communist regimes in Eastern Europe.","PeriodicalId":253522,"journal":{"name":"Baltic Screen Media Review","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Take Care of Your Scar(f), Lilya! De-stigmatizing the Image of the Post-Soviet Other in Nordic Cinema\",\"authors\":\"T. Pauly\",\"doi\":\"10.1515/bsmr-2015-0014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The article discusses the cinematic representations of the post-Soviet individual in two internationally acclaimed Nordic films, namely, Aki Kaurismäki’s Take Care of Your Scarf, Tatiana (Pidä huivista kiinni, Tatjana, Finland/Germany, 1994) and Lukas Moodysson’s Lilya 4-Ever (Lilja 4-ever, Sweden/Denmark, 2002). The guiding premise is that the films represent cross-cultural inquiries on identity and otherness that reflect and challenge the (male) gaze of the West European North upon the (female) post-Soviet East soon after the collapse of the communist regimes in Eastern Europe.\",\"PeriodicalId\":253522,\"journal\":{\"name\":\"Baltic Screen Media Review\",\"volume\":\"23 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-11-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Baltic Screen Media Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/bsmr-2015-0014\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Baltic Screen Media Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/bsmr-2015-0014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Take Care of Your Scar(f), Lilya! De-stigmatizing the Image of the Post-Soviet Other in Nordic Cinema
Abstract The article discusses the cinematic representations of the post-Soviet individual in two internationally acclaimed Nordic films, namely, Aki Kaurismäki’s Take Care of Your Scarf, Tatiana (Pidä huivista kiinni, Tatjana, Finland/Germany, 1994) and Lukas Moodysson’s Lilya 4-Ever (Lilja 4-ever, Sweden/Denmark, 2002). The guiding premise is that the films represent cross-cultural inquiries on identity and otherness that reflect and challenge the (male) gaze of the West European North upon the (female) post-Soviet East soon after the collapse of the communist regimes in Eastern Europe.
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