Radim Hladík
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引用次数: 1

摘要

在科学工作和交流中越来越多地使用数字技术,提出了由此产生的知识的认识论性质的问题。在这篇文章中,我将使用Steven Shapin和Simon Schaffer开发的概念工具来分析Robert Boyle和Thomas Hobbes之间关于自然哲学中产生知识的方式的历史争议,并将其应用于数字研究。他们关于三种知识制造技术——物质、文学和社会——的概念,似乎也是反映数字技术的启发式概念。后者在本文中不是作为一种独立的事实生产技术,而是作为围绕现有科学技术进行彻底重新配置的元素。特别关注代码作为一种文学技术的概念和数字技术在人文学科中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Zdrojový kód jako literární technologie? O vytváření faktů v digitálním výzkumu
The increasing use of digital technologies in scientific work and communication raises the question of the epistemological nature of knowledge thus produced. In this essay, I am employing the conceptual apparatus developed by Steven Shapin and Simon Schaffer for the analysis of the historical dispute between Robert Boyle and Thomas Hobbes over the ways of producing knowledge in natural philosophy, and applying it to digital research. Their concept of three knowledge-making technologies – material, literary and social – appear to be heuristically useful concepts for reflecting on digital technologies as well. The latter are presented in the essay not as a separate facts-producing technology, but as elements around which the existing scientific technologies are radically reconfigured. Particular attention is paid to the concept of code as a literary technology and the role of digital technologies in the humanities.
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