艺术家兼摄影师hippolyte robillard的传记资料

N. Y. Avetyan
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摘要

这篇文章提出了新的事实对希波吕特罗毕拉德的传记,才华横溢的法国艺术家和杰出的摄影师。来源包括期刊和艺术参考书的信息,博物馆和档案收藏的材料。存放在俄罗斯国家文学艺术档案馆(莫斯科)的罗毕拉德档案在研究罗毕拉德传记中扮演了一个特殊的角色,它揭示了这位法国大师的生活和工作中以前不为人知的事实。这篇文章考察了罗毕拉德作品中鲜为人知的一段时期,即19世纪40年代至50年代,当时他先是做平版画家,后来又做油彩画家。作者介绍了以前不为人知的与这位法国大师的摄影工作室及其社会活动有关的档案材料,分析了其迅速衰落和清算的原因,并提供了支持对罗毕拉德的死亡日期进行新的估计的论据。本文的主要任务是重建艺术家创作路径的大方向,这是迄今为止知之甚少的。国内对光画史的研究很少提及罗毕拉德的名字,这似乎是不公平的,原因是对他的生平和作品研究不够。因此,研究罗毕拉德(19世纪60年代摄影大师之一)遗产的相关性变得显而易见。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MATERIALS TO THE BIOGRAPHY OF THE ARTIST AND PHOTOGRAPHER HIPPOLYTE ROBILLARD
This article presents new facts on the biography of Hippolyte Robillard, talented French artist and distinguished photographer. The sources include information from periodicals and art reference books, materials from museum and archival collections. A special role in the study of Robillard's biography is played by his archive, stored in the Russian State Archive of Literature and Art (Moscow), which revealed previously unknown facts about the life and work of the French master. The article examines the little-known period in Robillard's oeuvre in the 1840s–1850s, when he worked first as a lithographer and then as a pastelist. The author introduces previously unknown archival materials related to the activities of the French master's photographic studio and his social activities and analyzes the reasons for its rapid decline and liquidation, and provides arguments in favor of a new estimated date of Robillard's death. The main task of the article is to reconstruct the general direction of the artist's creative path, about which little was known until now. Domestic research on the history of light painting rarely mentions Robillard's name, which seems unfair and can be explained by insufficient study of his life and work. Thus, the relevance of studying the legacy of Robillard, deservedly one of the leading masters of photography of the 1860s, becomes evident.
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