{"title":"“从未被代表”,总是在桌子上:塞万提斯的开胃菜和当代场景","authors":"D. Migueláñez","doi":"10.30687/978-88-6969-579-7/012","DOIUrl":null,"url":null,"abstract":"Throughout the twentieth century and until these days, a revival of the short theatre occurred, concerning textual studies and adaptations to the scene. The case of Cervantes’s Entremeses offers an unparalleled example of this resurgence. This study will approach the details of this recovery through scenic examples that will help illustrate the reasons that make today’s playwrights look back at Cervantes’s minor works.","PeriodicalId":216765,"journal":{"name":"Admiración del mundo\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"«Nunca representados», siempre sobre las tablas: los Entremeses de Cervantes y la escena contemporánea\",\"authors\":\"D. Migueláñez\",\"doi\":\"10.30687/978-88-6969-579-7/012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Throughout the twentieth century and until these days, a revival of the short theatre occurred, concerning textual studies and adaptations to the scene. The case of Cervantes’s Entremeses offers an unparalleled example of this resurgence. This study will approach the details of this recovery through scenic examples that will help illustrate the reasons that make today’s playwrights look back at Cervantes’s minor works.\",\"PeriodicalId\":216765,\"journal\":{\"name\":\"Admiración del mundo\\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas\",\"volume\":\"37 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Admiración del mundo\\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/978-88-6969-579-7/012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Admiración del mundo\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/978-88-6969-579-7/012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
«Nunca representados», siempre sobre las tablas: los Entremeses de Cervantes y la escena contemporánea
Throughout the twentieth century and until these days, a revival of the short theatre occurred, concerning textual studies and adaptations to the scene. The case of Cervantes’s Entremeses offers an unparalleled example of this resurgence. This study will approach the details of this recovery through scenic examples that will help illustrate the reasons that make today’s playwrights look back at Cervantes’s minor works.